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1 event,
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Waktu Paruh serves as a metaphor for the gradual disintegration of social order, ethics, and human values. The work poses the question: when the values that sustain life are steadily eroded, what remains? How does one move forward when the very footing that once supported life is no longer intact? |
7 events,
-
Dance artist Kim-Sanh Châu leads a workshop centered on the squat, bringing together Asian and North American references. Explored as both a physical practice and a cultural image, the squat becomes a site of resilience, grounding, and empowerment.
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This workshop explores how movement can emerge from the shifting weight of the body. Rather than searching for a movement form in advance, participants will follow how the body responds as weight moves from one point of support to another, paying attention to balance, direction, energy, and the impulse to move.
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In this workshop, participants will harness foundations of floor-based breaking-influenced pathways, explore ideas around ‘live composition methodology’ and learn ways to generate unpredictable movement compositions using Hamilton’s unique counting system, utilised throughout his catalogue of creative works.
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This session delves into the concept of dance as a living archive, exploring how bodies, movement practices, memories, and relationships serve as dynamic repositories of knowledge beyond conventional documentation.
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La XXX Punk is a series through which Fangas Nayaw searches for how Indigenous dance can be in the future. It will be different, and must be different, because we are fed up with how popular imagination of Indigenous dance is limited to certain selected highlights and images. |
6 events,
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This workshop touches on the Indigenous Peoples' Basic Punk Law II with Fangas Nayaw. Central to the work of Amis choreographer Fangas Nayaw is the dilemma of how to adjust to the reality of contemporary social life, and in the face of globalization, while preserving tradition.
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This workshop invites participants to explore Krump as a practice of giving, receiving and connection. Rooted in movement, emotion and presence, we will explore how energy is offered, shared and received through the body.
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What does it take to create conditions in which artistic practices can grow without determining in advance what they should become? Tending What Grows brings together practitioners from different artistic development platforms to consider incubation as both a practice of care and a form of infrastructure.
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Reality revisits a work originally created by Soy Chanborey nearly a decade ago, drawing upon the personal experiences and daily lives of both himself and his father. In this new version, Chanborey retraces their intertwined stories, bringing years of accumulated memories and observations into a fresh creative process.
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Tetuha Halimawong grows from a myth inherited by Ahmad Susantri in Lampung about ancestral spirits taking the form of tigers, believed to watch over the forest. Their presence connects humans with animals, ancestors, sacred territories, and the forest, while also shaping an ethic of living in relationship with the environment. |
7 events,
-
Team Chiipro’s Menstruation Sumo Dance explores the social contexts of menstruation through shiko, the traditional stomping movement in sumo.
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Melanie shares her ongoing exploration of the mythical body, conjuring strategies for the material and immaterial, enchantment and magic.
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Painscriptions is a workshop emerging from Sina Saberi’s choreographic research on pain, informed by medical practices such as EMDR and Somatic Experiencing among others. Through simple somatic instructions and shared movements, participants are invited into an embodied exploration of pain. Drawing on Saberi’s concept of “writing pain,” the workshop approaches pain as a lived experience that can be witnessed, engaged with, and moved through collectively.
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How does a woman build and sustain an artistic practice as life continues to change? Making, in Her Own Rhythm brings together three choreographers from different generations, contexts, and artistic trajectories to reflect on how a practice grows alongside a life.
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New Fieldwork is a project that begins with observing pigeons living close to people. Through this project, we explore the relationship between humans and other living beings in cities. The project is carried out by artists, including actors, dancers, and theater practitioners, who are not professional field researchers. |
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