a place we could not name is a collaborative project that began from a shared interest in tracing place, not only as an idea but as something experienced through the senses.
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2 events,
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a place we could not name is a collaborative project that began from a shared interest in tracing place, not only as an idea but as something experienced through the senses.
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Fragile, dented, yet always noisy—KALENG ROMBENG! celebrates vulnerability, memory, and lived experience from a marginalized perspective. The work stems from Adrian’s personal recollections of fear, stereotypes, and experiences that leave invisible marks. |
2 events,
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Reality revisits a work originally created by Soy Chanborey nearly a decade ago, drawing upon the personal experiences and daily lives of both himself and his father. In this new version, Chanborey retraces their intertwined stories, bringing years of accumulated memories and observations into a fresh creative process.
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Tetuha Halimawong grows from a myth inherited by Ahmad Susantri in Lampung about ancestral spirits taking the form of tigers, believed to watch over the forest. Their presence connects humans with animals, ancestors, sacred territories, and the forest, while also shaping an ethic of living in relationship with the environment. |
2 events,
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New Fieldwork is a project that begins with observing pigeons living close to people. Through this project, we explore the relationship between humans and other living beings in cities. The project is carried out by artists, including actors, dancers, and theater practitioners, who are not professional field researchers.
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Anchored in the erased coastlines of Hong Kong, Sea-Ghosts fights to remember a time when salt was a gift to Hong Kongers. Blending the materiality of places with choreography, this performance-exhibition allows sea spirits in their geological, spiritual and political forms to wake up from centuries of land reclamation and massacres. |

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