BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Indonesian Dance Festival - ECPv6.18.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Indonesian Dance Festival
X-ORIGINAL-URL:https://indonesiandancefestival.id
X-WR-CALDESC:Events for Indonesian Dance Festival
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Jakarta
BEGIN:STANDARD
TZOFFSETFROM:+0700
TZOFFSETTO:+0700
TZNAME:WIB
DTSTART:20250101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261031T160000
DTEND;TZID=Asia/Jakarta:20261031T180000
DTSTAMP:20261012T100358Z
CREATED:20261009T101239Z
LAST-MODIFIED:20261012T100358Z
UID:14481-1793462400-1793469600@indonesiandancefestival.id
SUMMARY:Reality
DESCRIPTION:Reality revisits a work originally created by Soy Chanborey nearly a decade ago\, drawing upon the personal experiences and daily lives of both himself and his father. In this new version\, Chanborey retraces their intertwined stories\, bringing years of accumulated memories and observations into a fresh creative process. \nHis father’s life was shaped by the post-Khmer Rouge era in Cambodia\, military service\, and an incident that resulted in the loss of a leg. These experiences form a complex personal history that Chanborey interprets from the perspective of a son. Their relationship is also framed by cultural beliefs and the ways they make sense of the life events that define their shared experiences. \nThrough the use of movement\, video\, photography\, music\, and sound\, Chanborey explores everyday gestures and activities\, connecting various moments in the lives of father and son. This process allows him to experiment with how physical movement\, visual imagery\, and sound can carry personal history across different timeframes and perspectives. \nBy revisiting Reality from a contemporary standpoint\, Chanborey views the work as an ongoing exploration—revisiting familiar material while opening up space for new artistic possibilities and a deeper narrative regarding the father-son relationship. \nThis work was made possible\, in part\, through the support of the Indonesian Dance Festival and in collaboration with Cambodian Living Arts (CLA). \nCredit:Choreographer: Chanborey SoyPerformer : Chanborey SoyAssistant : Chanlyka Leav (Kakou)Musician : Ros SokuntheaActor : Sun Polin\, Long Pisey & Chan SamnangVideo : Nitossaa Studio \nVenue: Ruang C\, Institut Kesenian Jakarta \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/reality/
LOCATION:Jakarta Institute of Arts\, Komplek Taman Ismail Marzuki Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-Reality-Soy-Chanborey-UPDATE.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261031T160000
DTEND;TZID=Asia/Jakarta:20261031T180000
DTSTAMP:20261025T071419Z
CREATED:20261009T102006Z
LAST-MODIFIED:20261025T071419Z
UID:14488-1793462400-1793469600@indonesiandancefestival.id
SUMMARY:TETUHA HALIMAWONG
DESCRIPTION:What if a tiger trespassing into a human settlement is not merely an animal that has lost its habitat\, but an ancestor arriving to engage us in conversation? \nTetuha Halimawong grows from a myth inherited by Ahmad Susantri in Lampung about ancestral spirits taking the form of tigers\, believed to watch over the forest. Their presence connects humans with animals\, ancestors\, sacred territories\, and the forest\, while also shaping an ethic of living in relationship with the environment. \nToday\, that relationship is shifting. Deforestation\, the expansion of illegal coffee plantations\, and settlements are reducing the habitat of the Sumatran tiger in West Lampung. As local knowledge and beliefs gradually erode\, encounters between humans and tigers increasingly turn into conflict. \nSusan summons the ancestor back into the body and the contemporary imagination. Yet Tetuha appears not as a majestic\, frozen mythological figure\, but as a pink\, playful\, adorable\, humorous\, and talkative tiger. \nThrough movement\, conversation\, humor\, and a “PARTYsipatory” approach—a play on words combining “party” and “participation”—Susan facilitates a fluid encounter between the performer\, the audience\, and the world of Tetuha. As a contemporary mystical fable\, Tetuha Halimawong sets the myth in motion once more\, inviting us to reimagine the relationship between humans\, the forest\, and other forms of life\, as well as the possibility of renewed coexistence. \nThe development of Tetuha Halimawong’s work and producing practice was made possible through a collaboration between Reka Kelola: Creative Producing Lab 2026 and Indonesian Dance Festival: KAMPANA 2026. \nCredit:Choreographer : Ahmad SusantriPerformers : Ahmad Susantri\, Silvia Dewi MarthaningrumComposer : Edithya Rio WirawanLighting Designer : Sulhan JamilProducer : Nabilla Kurnia Adzan \nVenue: Ruang C\, Institut Kesenian Jakarta \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/tetuha-halimawong/
LOCATION:Jakarta Institute of Arts\, Komplek Taman Ismail Marzuki Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Kampana
ATTACH;FMTTYPE=image/png:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-Kampana-Tetuha-Halimawong-Ahmad-Susantri-UPDATE-2.png
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261031T193000
DTEND;TZID=Asia/Jakarta:20261031T213000
DTSTAMP:20261012T100534Z
CREATED:20261008T162826Z
LAST-MODIFIED:20261012T100534Z
UID:14333-1793475000-1793482200@indonesiandancefestival.id
SUMMARY:MENSTRUATION SUMO DANCE
DESCRIPTION:How have menstruating bodies historically been spoken about and marginalised? Can we entrust pain and the sense of the absurd to something? \nMenstruation has been given meaning at the intersection of social customs and scientific discourse. In this work\, while still emphasizing the importance of scientific knowledge and understanding\, team chiipro – a performance unit that consists of Nanako Matsumoto and Kengo Nishimoto –  performs a ritual dance around the absurdity of menstruation\, something  that cannot be fully grasped through scientific discourse and understanding alone. \nWhat emerges is the Shiko* dance which involves opening and raising the legs before stomping on the ground. The performance takes inspiration from the motion of Shiko to wittily transgress a social boundary. \nThe two artists‛ engagements in text and dance collide and respond to each other in calculated harmony. Four years after its premiere at Kyoto Experiment 2022\, this work opens a new dohyō** in an age of division. \n*Traditionally refers to the ceremonial leg raising ritual done by sumo wrestlers.**Sumo ring \nVenue: Teater Wahyu Sihombing\, Taman Ismail Marzuki \nCredits:Choreography and Direction: Nanako Matsumoto & Kengo Nishimoto / team chiiproPerformer : Nanako MatsumotoMusic : Hayato Ichimura\, Mina HayashiLighting Design : Kana WatanabeCostume Design : Kazuto Suzuki (islands)Choreographic Collaborators and Performers: Yuka Uchida\, Kohei MaedaVideo Design : Daichi AbeProduction Coordinator: Yoshimi ToyoyamaStage Manager : Marie MoriyamaTechnical Adviser : Yukiko Yoshimoto (Mahiru)English subtitles : Kyoka Kawai Arisawa\, Juliet Reiko Knapp \nProduced by team chiipro Co-produced by Kyoto ExperimentSupported by The Saison FoundationPresenting partner: Kyoto Experiment with the support of Japan Creator Support Fun \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/menstruation-sumo-dance/
LOCATION:Teater Wahyu Sihombing\, Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Kota Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Bentang
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-MENSTRUATION-SUMO-DANCE-team-chiipro-UPDATE.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261101T090000
DTEND;TZID=Asia/Jakarta:20261101T103000
DTSTAMP:20261012T102748Z
CREATED:20261009T140013Z
LAST-MODIFIED:20261012T102748Z
UID:14592-1793523600-1793529000@indonesiandancefestival.id
SUMMARY:An Introduction to Menstruation Sumo Dance
DESCRIPTION:Team Chiipro’s Menstruation Sumo Dance explores the social contexts of menstruation through shiko\, the traditional stomping movement in sumo. \nIn this workshop\, participants will be introduced to basic dance practices inspired by shiko and invited to engage in a central part of the work’s creative process: reading diaries documenting personal experiences of menstruation. Drawing from this practice\, the facilitators will share their exploration of the weight of encountering another person’s experience. Through layering\, shifting\, and unsettling movements and images in the body\, participants will explore how sensuality emerges through subtle shifts\, displacements\, and changes in perception. \nNanako Matsumoto \nCo-director of Team Chiipro\, Choreographer\, Dancer \nKengo Nishimoto\nCo-director of Team Chiipro\, Dramaturg \nVenue: Ruang Latihan Tari Kontemporer\, Taman Ismail Marzuki \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/an-introduction-to-menstruation-sumo-dance/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-Workshop-INTRODUCTION-TO-MENSTRUATION-SUMO-DANCE-Team-Chiipro-UPDATE.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261101T090000
DTEND;TZID=Asia/Jakarta:20261101T103000
DTSTAMP:20261013T103935Z
CREATED:20261009T141402Z
LAST-MODIFIED:20261013T103935Z
UID:14604-1793523600-1793529000@indonesiandancefestival.id
SUMMARY:Mythic Bodies\, an Improvisational
DESCRIPTION:Melanie shares her ongoing exploration of the mythical body\, conjuring strategies for the material and immaterial\, enchantment and magic. \nInterested in speculative fiction as a mode for generating new choreographic languages\, Melanie offers a space to embrace the uncanny and supernatural as a state of resistance\, reflection and transformation. \nThrough a method of improvisation tools and approaches\, Melanie will guide a 90-minute physical workshop that explores mythic imagery\, speed and architecture of the body. \nVenue: Ruang Latihan Tari Tradisi\, Taman Ismail Marzuki \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/mythic-bodies-an-improvisational/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-Workshop-Mythic-Bodies-an-Improvisational-Melanie-Lane-UPDATE.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261101T110000
DTEND;TZID=Asia/Jakarta:20261101T123000
DTSTAMP:20261012T102908Z
CREATED:20261009T142601Z
LAST-MODIFIED:20261012T102908Z
UID:14620-1793530800-1793536200@indonesiandancefestival.id
SUMMARY:Painscriptions
DESCRIPTION:Painscriptions is a workshop emerging from Sina Saberi’s choreographic research on pain\, informed by medical practices such as EMDR and Somatic Experiencing among others. Through simple somatic instructions and shared movements\, participants are invited into an embodied exploration of pain. Drawing on Saberi’s concept of “writing pain\,” the workshop approaches pain as a lived experience that can be witnessed\, engaged with\, and moved through collectively. \nPeople with or without dance experience are welcome to participate. The workshop welcomes participants of different abilities\, including those living with chronic conditions\, and encourages everyone to engage according to their own capacities and needs. \nParticipation Note:\nThe topic of pain and trauma may be triggering for people with PTSD and other chronic psychosomatic conditions. Please participate at your own discretion. \nVenue: Ruang Latihan Tari Kontemporer\, Taman Ismail Marzuki \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/painscriptions/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-Workshop-Painscription-Sina-Saberi-UPDATE.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261101T130000
DTEND;TZID=Asia/Jakarta:20261101T143000
DTSTAMP:20261013T124900Z
CREATED:20261009T160540Z
LAST-MODIFIED:20261013T124900Z
UID:14696-1793538000-1793543400@indonesiandancefestival.id
SUMMARY:Making\, in Her Own Rhythm: Art\, Work\, Care\, and a Life in Practice
DESCRIPTION:Speakers:\nHartati\nDensiel Lebang\nNanako Matsumoto (Team Chiipro) \nModerator:\n\nKeni Soeriaatmadja \nVenue:Selasar Nashar\, Paviliun Raden Saleh\, Gedung Ali Sadikin\, Taman Ismail Marzuki \nHow does a woman build and sustain an artistic practice as life continues to change? \nMaking\, in Her Own Rhythm brings together three choreographers from different generations\, contexts\, and artistic trajectories to reflect on how a practice grows alongside a life. Bodies change\, experiences accumulate\, responsibilities and relationships shift\, while work\, economic realities\, family\, care\, mobility\, time\, and energy continually shape how an artist makes and sustains a practice. For women artists\, these negotiations may also be shaped by gendered expectations and conditions. \nHere\, rhythm offers a way of thinking about sustainability beyond uninterrupted productivity: there are times to make\, pause\, return\, change intensity\, or discover different ways of working. Through their distinct experiences\, the conversation asks what becomes visible when we attend to these different rhythms—and how artistic practices\, bodies\, and lives continue to shape one another over time.
URL:https://indonesiandancefestival.id/en/event/berkarya-dengan-irama-sendiri-seni-pekerjaan-perawatan-dan-praktik-kehidupan/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Dance Talk
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-Bincang-Tari-Berkarya-dengan-Irama-Sendiri-Seni-Pekerjaan-Perawatan-dan-Praktik-Kehidupan.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261101T160000
DTEND;TZID=Asia/Jakarta:20261101T180000
DTSTAMP:20261025T075539Z
CREATED:20261009T102547Z
LAST-MODIFIED:20261025T075539Z
UID:14494-1793548800-1793556000@indonesiandancefestival.id
SUMMARY:NEW FIELDWORK
DESCRIPTION:New Fieldwork is a project that begins with observing pigeons living close to people. Through this project\, we explore the relationship between humans and other living beings in cities. The project is carried out by artists\, including actors\, dancers\, and theater practitioners\, who are not professional field researchers.  \nThis is not academic research. We approach fieldwork as an experimental creative practice. We visit the same places many times and observe individual pigeons. We try to learn about their lives and personalities. Through this process\, we hope to develop a way of seeing other living beings as individual beings\, each with their own lives and characteristics.  \nWe also want to learn about the communities pigeons belong to and the cultures that develop within these communities. This may help us see familiar places from new perspectives\, beyond the human view.  \nOur observations have been shared through exhibitions and Pigeon Observation Tours. We have also created and distributed maps that explore a theater site from the perspective of pigeons. The project is currently exploring its potential as a performing arts work. \nThis work was made possible\, in part\, through the support of the Indonesian Dance Festival and in collaboration with Shifting Points\, a program of Kyoto Experiment\, Bangkok International Performing Arts Meeting and the Japan Foundation. \nCredits:\nChoreographer : Yuka Uchida\nPerformers : Yuka Uchida\, Annastasya Verina\, and Keigo Mikajiri \nVenue: Teater Luwes\, Institut Kesenian Jakarta \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/new-fieldwork/
LOCATION:Teater Luwes\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-NEW-FIELDWORK-Yuka-Uchida-UPDATE.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261101T160000
DTEND;TZID=Asia/Jakarta:20261101T180000
DTSTAMP:20261025T073212Z
CREATED:20261009T103039Z
LAST-MODIFIED:20261025T073212Z
UID:14502-1793548800-1793556000@indonesiandancefestival.id
SUMMARY:SEA-GHOSTS
DESCRIPTION:Anchored in the erased coastlines of Hong Kong\, Sea-Ghosts fights to remember a time when salt was a gift to Hong Kongers. Blending the materiality of places with choreography\, this performance-exhibition allows sea spirits in their geological\, spiritual and political forms to wake up from centuries of land reclamation and massacres.  \nThe scars of imperial-colonial controls are deep from 2000 years ago. As ideal sites of salt-farming\, the earliest inhabitants were forced labourers who produced salt for China from 119BC\, until a revolution in 1197\, which resulted in bloody massacres. Salt-farming continued on these coastlines – the boundaries of Hong Kong – under continuously violent controls into the 1960s\, as British colonialists dumped mountains onto seas\, up until the current police state.  \nFrom washing rocks\, gathering sea-water\, making paper by adopting the sun practices of salt-farmers\, Sea-Ghosts proposes that forging renewed spiritual connections to land is the urgent decolonial work that will gradually dissolve the violent human dominance to nature\, forced upon by both the British and the Chinese. Between wet and dry\, sea and land\, Sea-Ghosts strives to build a collective Hong Kong identity where migration is resistance and all colonial imaginations are dissolved.  \nThis work was made possible\, in part\, through the support of Latitude\, a residency and exchange program developed by the Indonesian Dance Festival\, Dance Nucleus (Singapore)\, Performance Space (Australia). \nCredits:\nChoreographer : Natalie Quan Yau Tso\nScenographer : Natalie Quan Yau Tso\nPerformers : Natalie Quan Yau Tso\nMusic : Dessert Empress\nCostume Design : Natalie Quan Yau Tso\nDramaturg : Imogen Yang\nProducer : Emma Cao \nCo-Produced by: \nVenue: Teater Luwes\, Institut Kesenian Jakarta \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/sea-ghosts/
LOCATION:Teater Luwes\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-SEA-GHOSTS-Natalie-Quan-Yao-Tso-UPDATE.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20261101T193000
DTEND;TZID=Asia/Jakarta:20261101T210000
DTSTAMP:20261012T100836Z
CREATED:20261008T164047Z
LAST-MODIFIED:20261012T100836Z
UID:14342-1793561400-1793566800@indonesiandancefestival.id
SUMMARY:KONJO: Becoming Otherwise
DESCRIPTION:KONJO: Becoming Otherwise was developed through artistic research of the Konjo people of Bulukumba Regency\, South Sulawesi. Culture is not treated merely as a symbol to be transposed onto the stage\, but rather as a source of inquiry into how human beings shape themselves through their relationships with place\, nature\, community\, memory\, and “the other.” \nThe research stems from two distinct yet interconnected ways of life: the coastal Konjo community—defined by the sea\, seafaring\, and Phinisi boat-building—and the indigenous Kajang community\, whose lives are grounded in customary law and a connection to ancestral land through Pasang ri Kajang (a set of values and customs passed down through generations among the indigenous people of Kajang). The sea serves as a way to contemplate movement\, uncertainty\, journey\, and transformation; while the land embodies attachment\, memory\, and sustainability. \nThe word “Konjo”—understood in the context of this research as “here”—serves as the work’s conceptual point of departure. As the body moves\, “here” can shift to “there.” Between sea and land\, the body becomes a site of “becoming” through its relationships with other bodies\, the environment\, materials\, and memory. \nThe dancer’s body is not a literal representation of the Konjo people but rather an instrument of research. The Phinisi construction process serves as a key dramaturgical device\, translated into movement and inter-bodily relationships: assembling\, binding\, bracing\, balancing\, connecting\, directing\, and releasing. Through this process\, Becoming Otherwise opens up the possibility of shifting from an initial position and allowing encounters to transform the way the body perceives itself. \nVenue: Graha Bhakti Budaya\, Taman Ismail Marzuki \nCredits:Choreographer : Densiel LebangScenographer : Richard Dilian KalipungPerformers : Daniel Setyo Pambudi\, Try Anggara\, Dedi Ronald Maniakori\, Ucup Bakrie\, Clausdios Marani\, Allma Ortega (Kubo)\, Yanuarius Doni Elaman\, Muhammad WibowoMusic : Arham AryadiLighting Designer : Deray SetiadiDramaturg : Helly MinartiProduction Manager : Regina Audrey Ivana ZakariahStage Manager : Novan Trijaya Seri Putra \nCo-Produced by: Performance Space (Australia) & Dance Nucleus (Singapore)  \nBook Your Seat
URL:https://indonesiandancefestival.id/en/event/konjo-becoming-otherwise/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2026",Bentang
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2026/10/2026-FI-KONJO-Becoming-Otherwise-Densiel-Lebang-UPDATE.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
END:VCALENDAR