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X-WR-CALDESC:Events for Indonesian Dance Festival
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241102T180000
DTEND;TZID=Asia/Jakarta:20241102T210000
DTSTAMP:20260405T154612
CREATED:20241001T192350Z
LAST-MODIFIED:20241110T171447Z
UID:12421-1730570400-1730581200@indonesiandancefestival.id
SUMMARY:Bedhaya Hagoromo
DESCRIPTION:Bedhaya Hagoromo is a combination of two classical artforms: the Javanese Bedhaya dance and Japanese Noh dance-theatre. Formulation of the work was formed when Didik found a similar story in these two classical artforms\, the story of Jaka Tarub. With Richard Emmert and Akira Matsui\, this work attempts to stitch the aesthetic of Bedhaya and Noh to show both the interconnection and uniqueness of each culture. The melding of these two classical artforms also emerge through the musical interplay of Jogjakarta-Solo influenced traditional Gamelan and Noh instrumentalizations\, Bedhaya costume with Noh masks and fans\, and other aesthetic elements. Through deep experience and references from the three collaborators\, Bedhaya Hagoromo offers a rooted contemporary dance form that bridges the uniqueness of classical artforms surpassing boundaries. \nCredits:\nChoreographer: Didik Nini Thowok\nMaster Noh: Richard Emmert\, Akira Matsui\, John Ogleeve\nComposer: Alex Dea\nChoreography Consultant: B.R.Ay Yudonegoro \nDidik Nini ThowokOne of Indonesia’s most renowned dance maestros\, cultural icon\, and comedian. He grew up learning cross-gender dances and studied under many Indonesian dance maestros. He has also studied Nihon Buyo drama and Noh in Japan\, Bharatanatyam in India\, and Flamenco in Spain. He is also the founder of LPK Natya Lakshita (1980) and Didik Nini Thowok Entertainment. Read more\nAkira MatsuiAkira Matsui is a master actor-teacher of the Kita School of classical noh. Born in 1946 in Wakayama\, at the age of 7 he began studying noh and took on numerous child roles. At age 12\, he went to Tokyo to become a “live-in apprentice” to Kita Minoru\, the 15th generation head of the Kita School and returned to his hometown at age 21 where he is now based. He has been active for 45 years teaching and performing in over 25 countries. Read more\nRichard EmmertRichard Emmert is professor of Asian Performance at Musashino University and a certified Kita school noh instructor. Born in the USA\, he has studied\, taught and performed classical noh drama in Japan since 1973\, and led a Noh Training Project in Bloomsburg (US) for 20 years. Emmert has led noh performance projects around the world and composed/directed/performed in eleven English noh plays\, including Jannette Cheong’s Pagoda (2009\, 2011). He is founder and artistic director of Theatre Nohgaku. Read more\nJohn OgleeveTheatre artist engaged in noh as a practitioner and researcher. He is currently a PhD candidate at the University of Hawaii where he is researching nohgaku performers outside the noh world and on international stages. He is a founding member and current Development Director of Theatre Nohgaku\, for whom he has worked extensively both onstage and off. Read more\nAlex DeaAmerican-born Chinese Alex Dea received Ethnomusicology Ph.D at Wesleyan\nUniversity specializing in Javanese gamelan music\, and he was a member of Young’s Theatre of Eternal Music. Dedicated to full-time ethnography and research in Surakarta and Yogyakarta\, Indonesia since 1992. Read more
URL:https://indonesiandancefestival.id/en/event/bedhaya-hagoromo/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-Bedhaya-Hagoromo-Didik-Nini-Thowok.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241103T090000
DTEND;TZID=Asia/Jakarta:20241103T103000
DTSTAMP:20260405T154612
CREATED:20241005T115859Z
LAST-MODIFIED:20241110T173852Z
UID:12753-1730624400-1730629800@indonesiandancefestival.id
SUMMARY:Argentine Tango & Gender Roles
DESCRIPTION:In this workshop\, we will use the style of Argentine tango as the main focus for exchange. In the dance style of Argentine tango\, female dancers must center their weight on their male partners\, who lead the spatial direction. This dynamic of dependency and movement reflects traditional gender roles in Taiwanese society. Choreographer Huang Huai-Te intentionally allows female Argentine tango dancers to return to their own center and dance solo\, suggesting that women in Taiwan have gradually gained autonomy amid social changes. Beyond exchanging movement and body knowledge\, this workshop aims to be an exchange session in perspectives on gender roles within and its development in each participants’ cultural background. \nThis workshop is open for PUBLIC\, with the following requirements: \n– Ages 15 and above. \n– Bring your own high-heeled shoes. \nHuang Huai-TeA dancer and a choreographer\, founder of Dashing Theater. Through Dashing Theater\, he aims to create absorbing and engaging images with dance by interweaving Taiwanese historical memories with contemporary issues. Huang’s concerns include: how to connect people with dance\, and how to bring their attention to societal issues through dance. Before the establishment of Dashing Theater in 2020\, Huang was a dancer and choreographer at Horse Dance Theater and also a resident choreographer for Cloud Gate 2 in 2015 and 2017. Read more\nTsou Ying-LinTaiwanese freelance artist\, former dancer of the Cloud Gate Dance Theatre\, and dance teacher. She explores the dialectical relationship between her performance experience and inner intentions\, seeking freedom from bodily unity. She is dedicated to creation\, performance\, body development\, and dance education. Read more
URL:https://indonesiandancefestival.id/en/event/argentine-tango-gender-roles/
LOCATION:Salihara Arts Center\, Jl. Salihara No.16\, Ps. Minggu\, Kec. Ps. Minggu\, Jakarta Selatan\, Daerah Khusus Ibukota Jakarta\, 12520\, Indonesia
CATEGORIES:"IDF 2024",Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Masterclass-Argentine-Tango-and-Gender-Roles-Huang-Huai-Te-Tsou-Ying-Lin.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241103T110000
DTEND;TZID=Asia/Jakarta:20241103T123000
DTSTAMP:20260405T154612
CREATED:20241005T083915Z
LAST-MODIFIED:20241110T173949Z
UID:12737-1730631600-1730637000@indonesiandancefestival.id
SUMMARY:Bedhaya Hagoromo: Navigating an Intercultural Collaboration
DESCRIPTION:In this workshop\, dance maestro Didik Nini Thowok will share his experience and creative processes behind his monumental work Bedhaya Hagoromo. In this work that highlights the collaboration between Java and Japan\, various knowledge is embedded within the manifolds of its process. From the formalization of its concepts\, philosophical meeting of the different cultures\, to the artistic and technical choices that build the tonal unity of the artist. Participants will also be invited to taste the Javanese and Japanese dance techniques collided within the dancer’s bodies within this work. From Bedhaya Hagoromo as a case study\, participants will also be involved in dialogue to dive deep and look at the secrets and strategies of Didik Nini Thowok in navigating the journeys of his works that often involved inter-cultural collaborations. \nParticipants are expected to bring their own plain fans to be used during the workshop. \nDidik Nini ThowokOne of Indonesia’s most renowned dance maestros\, cultural icon\, and comedian. He grew up learning cross-gender dances and studied under many Indonesian dance maestros. He has also studied Nihon Buyo drama and Noh in Japan\, Bharatanatyam in India\, and Flamenco in Spain. He is also the founder of LPK Natya Lakshita (1980) and Didik Nini Thowok Entertainment. Read more
URL:https://indonesiandancefestival.id/en/event/bedhaya-hagoromo-navigating-an-intercultural-collaboration/
LOCATION:Salihara Arts Center\, Jl. Salihara No.16\, Ps. Minggu\, Kec. Ps. Minggu\, Jakarta Selatan\, Daerah Khusus Ibukota Jakarta\, 12520\, Indonesia
CATEGORIES:"IDF 2024",Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Masterclass-Tari-Truno-Didik-Nini-Thowok.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241103T193000
DTEND;TZID=Asia/Jakarta:20241103T210000
DTSTAMP:20260405T154612
CREATED:20241001T193811Z
LAST-MODIFIED:20241110T171728Z
UID:12430-1730662200-1730667600@indonesiandancefestival.id
SUMMARY:RIDDEN
DESCRIPTION:The title Ridden is translated as ‘ditunggangi’ in Indonesian and ‘憑依/Hyoui’ in Japanese. It is a word associated with spirits or ghosts–invisible but a felt present\, when one returns from an unknown territory and their shoulders are ridden by a foreign energy/spirit. In Ridden (2024) choreographer Leu Wijee reflects on his long-term research project since 2018 about humans and the environment in relation to post-natural disasters. Using personal and collective traces as a starting point\, Ridden is a sensory performance displaying and discussing the “conditions” between destruction and renewal; constraint and restoration; resilience and recovery; revolting and whispering\, readiness and coercion\, cleansing and repression; and preparedness and hope; or simply what Wijee calls “between disaster and dance”. \nCredits:Concept\, Choreography\, Scenography: Leu WijeeCo-research and collaborator: Mio IshidaPerformers: Bade Kurniawan\, Dani Budiman\, Leu Wijee\, Mio Ishida\, Rheza OktaviaProducer: wijeesworksCo-produced: Indonesian Dance Festival and Japan Foundation JakartaOrganized by: Indonesian Dance Festival and wijeesworksSuper Supporters: Jakarta Arts Council\, Jakpro\, Jakarta International Contemporary Dance Festival\, Japan Foundation Jakarta\, Kobalt Works and Toko Seniman \n*The development of artistic research for this performance has been supported by Jakarta Arts Council\, Jakpro\, Jakarta International Contemporary Dance Festival\, Japan Foundation Jakarta\, Kobalt Works\, Toko Seniman and Indonesian Dance Festival as part of evening performance of Indonesian Dance Festival (2024)\, Toko Seniman as part of Dalam Seniman artist in residence (2024)\, the Taipei Performing Arts Center as part of the ADAM – Asia Discovers Asia Meeting for Contemporary Performance / Kitchen in (2023)\, Taitung County Government as part of the Taitung Fringe Festival (2023)\, Ministry of Education\, Culture\, Research and Technology of Indonesia as part of Ngetest (2023)\, Indonesian Dance Festival in collaboration with Japan Foundation Jakarta as part of the Kampana of Indonesian Dance Festival (2022)\, Asia Performing Arts Farm as part of workshop Farm-Lab Exhibition Tokyo 2021\, Salihara Arts Center as part of Helatari (2021)\, and Jakarta Arts Council as part of Upcoming Choreographer VS Koreografi Tari (2020). \nAcknowledgement: Alice Hui-Sheng Chang\, Baden Hitchcock\, Chun Lao and Family\, Dennis Lin\, Dino Kaleb\, Helly Minarti\, Iksam Djorimi\, Jecko Siompo\, Joned Suryatmoko\, Josh Marcy\, Kevin Julianto\, Kifkifu\, Osamu Shikichi\, Pasifik\, Sikola Mombine\, Syanindita Prameswari\, Viktor Schramek and WeiLing Hung. \nLeu WijeeLeu Wijee is an Indonesian (self-taught) artist\, dancer and choreographer who divides his time between Palu and Jakarta. He describes his approach of “between disaster and dance” as his ideation process. His artistic research and practice is based on exploring personal and collective traces. His movement language tends to be minimalistic and relentless. He experiments and uses choreography to switch on “many things” (senses\, spaces\, sounds\, etc)\,and others that resonate with his practice. Read more\nMio IshidaActor and dancer currently based in Tokyo and Chigasaki. Graduated in theater & dance at JF Oberlin University. Her recent works focus on the relationship between the human body and objects. She was selected as a Japanese performer for the "Program for Future Dancers" in Tokyo Arts Festival Farm-Lab Exhibition (2021-2022). She has performed in Indonesian Dance Festival 2022\, Jakarta; ADAM Kitchen 2023\, Taipei; and Taitung Fringe Festival 2023\, Taiwan. Read more
URL:https://indonesiandancefestival.id/en/event/ridden/
LOCATION:Salihara Arts Center\, Jl. Salihara No.16\, Ps. Minggu\, Kec. Ps. Minggu\, Jakarta Selatan\, Daerah Khusus Ibukota Jakarta\, 12520\, Indonesia
CATEGORIES:"IDF 2024",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2023/04/Leu-Wijee-Tubuh-paska-Bencana-dan-yang-Menyertainya-01.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241104
DTEND;VALUE=DATE:20241106
DTSTAMP:20260405T154612
CREATED:20241003T090019Z
LAST-MODIFIED:20241019T045807Z
UID:12624-1730678400-1730851199@indonesiandancefestival.id
SUMMARY:Choreographic Intrusion
DESCRIPTION:Like a surprise or a dream\, this choreography springs out unprecedentedly between the rhythms of Hip-Hop\, Butoh\, and Contemporary dance. Created in 2020 in France\, this 30-minute performance is designed to be performed in situ –recreated in each location by involving more local performances and showcasing their skills\, within both hip-hop or contemporary movement vocabularies. This unique\, strong\, and poetic movement vocabulary is the main spirit of the choreographer’s hip-hop background\, tempered by contemporary and traditional dances of Thailand and Laos where the choreographer comes from. This work has been transmitted in Paris and performed in various public spaces\, currently in the process of being transmitted to Asia until now. This work demands dancers to adapt to their environment\, interact with the audience\, and create new dimensions in various living spaces. \nMonday\, November 4th & Tuesday\, November 5th 202403:00 – 03:35 pm | Taman Ismail Marzuki \nThis performance is free and open for public. No reservation needed. Follow @indonesiandancefestival at instagram for updates of specific location. \nCredits:Artistic Direction and Choreography: Olé KhamchanlaDancers: DANCERS NEED TO BE ADDEDMusic Direction: Mathieu ValletCostume Designer: LychEEProduction: Compagnie KHAM \nSupports in 2017 : Communauté de Communes de Porte DrômArdècheSupports in 2020 : Drac et Région Auvergne Rhône Alpes\, Département de la Drôme\, Pôle Pik à Bron\, Lux SN Valence\, Baron de BayanneSupport 2024: Institut français d’Indonésie\, Indonesian Dance Festival\, Institut Kesenian Jakarta \nOlé KhamchanlaBorn in Laos\, grew up in France\, and discovered hip-hop dance in 1990. He trained with various choreographers in France\, then returned to Laos and Thailand which deepened his choreographic language. In 2010\, Ole initiated\, FANG MAE KHONG (Listen to the Mekong)\, Laos’ first international dance festival. Read more
URL:https://indonesiandancefestival.id/en/event/choreographic-intrusion/
LOCATION:Jakarta Institute of Arts\, Komplek Taman Ismail Marzuki Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Site Specific Performances
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Site-Specific-Performance-Choreographic-Intrusion-Ole-Khamchanla.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241104T093000
DTEND;TZID=Asia/Jakarta:20241104T110000
DTSTAMP:20260405T154612
CREATED:20241005T124039Z
LAST-MODIFIED:20241110T174030Z
UID:12765-1730712600-1730718000@indonesiandancefestival.id
SUMMARY:Improvisation: Cultural to Interspecies Expression
DESCRIPTION:The workshop will introduce Marrugeku’s improvisational approaches to embodying social\, cultural\, personal and interspecies expression to develop new gestural dance and theatre. Working with the participants’ own movements\, stories\, cultural backgrounds and experiences Marrugeku will share approaches to concept development\, choreography\, dramaturgy and interdisciplinary composition. \nThe workshop is open to DANCERS/ACTORS of all styles and backgrounds. \n📍 Studio Tari Besar\, Taman Ismail Marzuki \nMarrugekuMarrugeku is an Indigenous and intercultural dance company based in the remote community of Broome in the north of Western Australia. Combining dance\, storytelling\, installation art\, video\, song and spoken word\, Marrugeku’s productions are co-created with artists from diverse backgrounds and art forms. Read more
URL:https://indonesiandancefestival.id/en/event/improvisation-cultural-to-interspecies-expression/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-PE-Masterclass-Marrugeku.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241104T113000
DTEND;TZID=Asia/Jakarta:20241104T130000
DTSTAMP:20260405T154612
CREATED:20241005T123153Z
LAST-MODIFIED:20241110T174118Z
UID:12759-1730719800-1730725200@indonesiandancefestival.id
SUMMARY:Remix 3: Powerstation/Arus
DESCRIPTION:In this masterclass\, choreographer and dancer Leu Wijee\, will share his newest discovery/movement research that he calls Powerstation/Arus. Participants are invited to understand how Leu Wijee organizes continuous movement-word-energy\, work with scores\, and the time-space continuum in the mind-body. Imagining it as a power station\, once activated by a single reason\, this power station will regenerate its possibility of “producing” endless forms and words. In this 90-minute class\, the movements and words have been choreographed to help participants understand the whole concept\, including the inspiration. \nThis class is open for PUBLIC \n📍 Studio Tari Besar\, Taman Ismail Marzuki \nLeu WijeeLeu Wijee is an Indonesian (self-taught) artist\, dancer and choreographer who divides his time between Palu and Jakarta. He describes his approach of “between disaster and dance” as his ideation process. His artistic research and practice is based on exploring personal and collective traces. His movement language tends to be minimalistic and relentless. He experiments and uses choreography to switch on “many things” (senses\, spaces\, sounds\, etc)\,and others that resonate with his practice. Read more
URL:https://indonesiandancefestival.id/en/event/remix-3-powerstation-arus/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Masterclass-Remix-3-PowerstationArus-Leu-Wijee.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241104T133000
DTEND;TZID=Asia/Jakarta:20241104T153000
DTSTAMP:20260405T154612
CREATED:20241030T124611Z
LAST-MODIFIED:20241030T175531Z
UID:13096-1730727000-1730734200@indonesiandancefestival.id
SUMMARY:The Mystical Gender in the Intersection of Artistic Stage and Daily Life
DESCRIPTION:Panel:\nDidik Nini Thowok\nIshvara Devati\nJoned Suryatmoko\nRiver Lin  \nModerator:\nLinda Mayasari  \nDance works that display gender expressions outside the binary are often framed as forms of artistic expression related to issues of equality and human rights. The interests of the international performing arts market often simplify the complexity of cultural layers\, power relations\, and political economy of these works to make them easier for audiences to understand. On the one hand\, this approach can strengthen movements and awareness related to gender and social justice in society. However\, on the other hand\, ignoring the complexity of these works reduces the subject to a certain category and uproots artistic expression from its context. \nThis causes these works to lose their potential as sources of critical knowledge about the bodily and cultural experiences of a particular context\, and instead strengthens the exoticization of the Other. This discussion session will discuss a number of questions related to how performing arts festivals can anticipate these challenges\, as well as how to open up a wider understanding that non-binary is not only a form of expression\, but also a critical perspective for understanding social reality in relation to the dynamics of power\, race\, and class. \nNo reservation needed. Register on the spot.
URL:https://indonesiandancefestival.id/en/event/the-mystical-gender-in-the-intersection-of-artistic-stage-and-daily-life/
LOCATION:Jakarta Institute of Arts\, Komplek Taman Ismail Marzuki Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Dance Talk
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Dance-Talks-The-Mythical-Gender-in-The-Intersection-of-Artistic-Stage-Daily-Life-scaled.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241104T160000
DTEND;TZID=Asia/Jakarta:20241104T170000
DTSTAMP:20260405T154612
CREATED:20241001T203851Z
LAST-MODIFIED:20241110T172222Z
UID:12498-1730736000-1730739600@indonesiandancefestival.id
SUMMARY:The Singer
DESCRIPTION:“The Singer” sutures theatre\, vocal music\, craft and movement. The work ruminates on the trans body as sanctuary of feminine predicament and queer remembrance\, which\, through stitch and song\, metamorphose into the performer’s radical transfeminine storytelling premise: the woman who sews her pain is the same woman who sings her freedom. As The Singer herself\, Cadag intones the intergenerational trauma that weaves female truths together while also recounting genealogies of healing embodied in her repertoire of feminine art-making. Embracing two figures Cadag had previously created: Vera Maningning (verus-Latin: true; ningning-Tagalog: radiance)\, a woman clad in white lace singing in site-specific instances; and Munimuni (Tagalog: to introspect)\, miniature doll avatar of Vera herself. These two characters offer a layered reflection of transfeminine incarnations in a woman’s role\, Cadag proposes a trans methodology of creation that vindicates\, in the most human terms\, feminine modes of survival. \nCredits:Choreographer & Dancer: Bunny CadagCreative Assistance: Micah Sofia Pinto & Rasa AlksnyteText: Jaya JacoboSound Designer: Pablo Lilienfeld \nBunny CadagBunny Cadag (b.1991\, she/they) is a Filipino transfeminine multi-disciplinary artist\, whose works are in the intersections and transitions of theater\, film\, performance\, and installation arts. Her research is focused on pre-colonial gender plurality\, traditional singing rituals\, healing practices\, and gender equality. Her performances are often participatory and community-based\, amplifying voices of marginalized groups within the wider community while thoughtfully navigating defamiliarized shapes and spaces with empathy and generosity. Read more
URL:https://indonesiandancefestival.id/en/event/the-singer/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-The-Singer-Bunny-Cadag-update.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241104T193000
DTEND;TZID=Asia/Jakarta:20241104T210000
DTSTAMP:20260405T154612
CREATED:20241001T194637Z
LAST-MODIFIED:20241110T171812Z
UID:12443-1730748600-1730754000@indonesiandancefestival.id
SUMMARY:This is not a dance
DESCRIPTION:In Iran\, dancing has been officially prohibited since the start of the Islamic Revolution. All dance groups have been forced to cease their activities and many dancers and choreographers fled abroad. Those who remained have to be very resourceful in order to keep their art form alive. In This is not a dance\, Nastaran brings the voices of choreographers and dancers living in Iran to the stage – a performance that faces censorship. What can be shown\, what must remain hidden? How do they deal with the ban on dancing? How do they practice their profession\, what dangers do they face\, what freedoms do they fight for? \nThis is not a dance is a tribute to the body that wants to move. A reverence for art that must be created\, in any way\, shape\, or form. \nCredits:Concept\, direction\, acting: Nastaran Razawi KhorasaniScenography\, video: Peter van TilMusic: Joost MaaskantLight: Minna TiikkainenDramaturgy: Aukje VerhoogCostume: Rebekka WörrmanProduction by Theater Rotterdam \nNastaran Razawi KhorasaniPerformer\, theater creator\, and actress graduated from Maastricht Institute of Performative Arts. In her documentary performances\, Nastaran aims to provide a platform for people who are unheard\, opening access\, and creating new perspectives. Her show Songs for no one twice received the BNG Bank Theater award (in 2020 and 2021)\, an award from Flemish Theater Festival 2022\, and Theater der Welt in Frankfurt-Offenbach in 2023. Read more
URL:https://indonesiandancefestival.id/en/event/this-is-not-a-dance/
LOCATION:Teater Luwes\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-This-is-not-a-dance-Nastaran-Razawi-10-09.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241105T093000
DTEND;TZID=Asia/Jakarta:20241105T110000
DTSTAMP:20260405T154612
CREATED:20241020T145309Z
LAST-MODIFIED:20241110T174154Z
UID:13039-1730799000-1730804400@indonesiandancefestival.id
SUMMARY:Corporeal Considerations
DESCRIPTION:Throughout his experiences in the dance world\, Pythos Harris observed that many choreographers and dancers miss an important part in dancehood: physical training. For Pythos\, physical training is a crucial phase for a dance artist to understand movement patterns and master their own body. In this workshop\, Pythos invites participants to explore movement\, find their own body patterns\, basic floorwork techniques\, acrobatics\, and develop body warm-ups according to each participant’s body condition. \nThis workshop invites participants to learn a core principle of being a dancer: knowing your own body. Mastery of the body will make the anatomy of choreography more mature and ensure the body’s readiness to receive various ideas\, data\, and intentions in the next stage of creating any work. \nThis class is open for PUBLIC. \n📍 Studio Tari Besar\, Taman Ismail Marzuki \nPythos HarrisChoreographer and dancer from Papua trained in the traditional and social dances of Papua from a young age. With his dance group\, Freedom Squad\, he successfully represented Indonesia to various national and international competitions\, including Gatsby Dance Competition in Japan 2009 Read more
URL:https://indonesiandancefestival.id/en/event/tubuh-sebelum-gagasan/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-PE-Tubuh-Sebelum-Gagasan-Pythos-Harris.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241105T113000
DTEND;TZID=Asia/Jakarta:20241105T130000
DTSTAMP:20260405T154612
CREATED:20241005T130026Z
LAST-MODIFIED:20241110T174228Z
UID:12781-1730806200-1730811600@indonesiandancefestival.id
SUMMARY:Hybridization & Mixing: From Technique to Organic
DESCRIPTION:In this class\, Olé will share his techniques\, vocabulary\, working methods and creative process to explore participants’ own artistic research. The warm-up for the participants resumes the exercises that the choreographer works himself as a preparation of the body and the corporeality of his dance\, which begins the work of artistic research. Olé will then transmit techniques and movements of the different techniques that forge his dance (hip hop\, contemporary and traditional from South East Asia) and on their marriage which singles out his vocabulary. Through different technical exercises and moments of improvisation\, he offers an experimental approach to the states of the body and the energies that he explores and his working methods to create from his own vocabulary. The workshop will close with a group composition created by the participants from materials explored together. \nClass is open for DANCERS/PROFESSIONALS with the following requirements:\n– Does routine physical training.\n \n📍 Studio Tari Besar\, Taman Ismail Marzuki \nOlé KhamchanlaBorn in Laos\, grew up in France\, and discovered hip-hop dance in 1990. He trained with various choreographers in France\, then returned to Laos and Thailand which deepened his choreographic language. In 2010\, Ole initiated\, FANG MAE KHONG (Listen to the Mekong)\, Laos’ first international dance festival. Read more
URL:https://indonesiandancefestival.id/en/event/hybridization-mixing-from-technique-to-organic/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-PE-Masterclass-Hibridasi-Pembauran-Teknik-hingga-Organik-Ole-Khamcanla.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241105T133000
DTEND;TZID=Asia/Jakarta:20241105T153000
DTSTAMP:20260405T154612
CREATED:20241030T124635Z
LAST-MODIFIED:20241030T175650Z
UID:13104-1730813400-1730820600@indonesiandancefestival.id
SUMMARY:Managing Fertile Grounds for the Growth of Dance Talents
DESCRIPTION:Panel:\nJoseph Lee\nKeni K.Soeriaatmadja\nJosh Marcy\nDr. Restu Gunawan M.Hum \nModerator:\nMuhammad Abe\n \nIn the world of dance\, the development of creativity requires fertile ground that allows for the growth and development of sustainable art. This fertile ground includes not only adequate physical facilities and infrastructure\, but also mental\, social\, and cultural support that can facilitate innovative artistic exploration. This discussion will explore how to create and manage an ecosystem that is conducive to the development of dance practitioners\, by paying attention to their needs to produce artistically powerful works\, while also contributing to knowledge production\, social transformation\, and cultural advancement. In addition\, this discussion will explore the roles of various parties—government\, cultural institutions\, arts communities\, and creative industries—in creating opportunities that are relevant to the local context. This topic will also highlight the importance of collaboration between the public and private sectors to open wider access for art practitioners\, by bringing together perspectives and practical experiences from Indonesia and the Asian regions. \nNo reservation needed. Register on the spot.
URL:https://indonesiandancefestival.id/en/event/managing-fertile-grounds-for-the-growth-of-dance-talents/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Dance Talk
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Dance-Talks-Managing-Fertile-Grounds-for-the-Growth-of-Dance-Talents-scaled.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241105T160000
DTEND;TZID=Asia/Jakarta:20241105T181500
DTSTAMP:20260405T154612
CREATED:20241001T201211Z
LAST-MODIFIED:20241110T172334Z
UID:12473-1730822400-1730830500@indonesiandancefestival.id
SUMMARY:Go In to Go Out
DESCRIPTION:Go In to Go Out is a performance development based on the artistic research platform “Membaca Sanghyang”\, (“Reading Sanghyang”) done by Wayan Sumahardika through a collaboration between Mulawali Institute with Geriana Kauh-Karangasem and Kepaon-Denpasar cultural villages in Bali. As a local collective ritual\, Sanghyang becomes a wellspring of meaning for foreign spectators who visit and watch. Oftentimes\, Sanghyang is exposed to the variance of narratives outside of itself and its supporting community. Go In to Go Out to re-examine the position and agency of the audience\, extending the choreographic experience of watching the Sanghyang ritual\, recognizing the events behind the sanghyang stage\, and its relationship to today’s urban reality. \nCredits:\nDirector & Writer: Wayan Sumahardika\nChoreographer & Dancer: Kevin Muliarta\nDancer: Dayu Tri\nVisual Designer & Mapping: Manik Sukadana\nMusic Arranger: Pasek Wijaya\nProduction Manager: Shafa Dhiyaliza\nProduction Team: Desi Nurani\, Jacko Kaneko\, Agus Wiratama & Mang Tri Ray Dewantara \n📍 Teater Wahyu Sihombing\, Taman Ismail Marzuki \nWayan SumahardikaWayan Sumahardika is a writer\, director\, and theatermaker born in Denpasar\, 1992. His artistic practices move in the intersection between dance\, film\, and artistic creations to measure the relationship of performance watching experience and daily reality through archivistic-repertoar and speculative approach. Suma is active as the artistic director of Mulawali Institute and initiated B-PART (Bali Performing Arts Meeting). Read more
URL:https://indonesiandancefestival.id/en/event/go-in-to-go-out/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-Go-In-to-Go-Out-Wayan-Sumahardika.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241105T160000
DTEND;TZID=Asia/Jakarta:20241105T181500
DTSTAMP:20260405T154612
CREATED:20241001T202836Z
LAST-MODIFIED:20241110T172416Z
UID:12486-1730822400-1730830500@indonesiandancefestival.id
SUMMARY:PING
DESCRIPTION:This work began with memories of Ela’s childhood experiences as a spectator of Bajidoran art. This Sundanese folk performance becomes Ela’s entry point to see the shift in the position of the hips and womanhood generally considered a symbol of fertility. The hips can be seen as the center of sexuality; expressive\, personal\, and intimate. However\, for Ela\, the hips are the main axis of movement that contains the meaning of the span of events in the past and present\, between the transcendent and the profane\, the private and the public\, and between the body and the stage. Ela sees that the hips are proven to be adaptive\, as it moves and becomes moved by the movement of the era. \nCredits:Choreographer: Ela MutiaraDancer: Ela MutiaraComposer: Gin Gigin \n📍 Teater Wahyu Sihombing\, Taman Ismail Marzuki \nEla MutiaraChoreographer and dancer born in Sukabumi\, West Java. She finished her Masters in Artistic Creation in Indonesia Institute of the Arts Yogyakarta. Since 2016\, her practice digs into historical events\, tradition\, lifestyle\, and women in the Sundanese socio-cultural perspective. Auto-ethnography became the working method developed in her creative research and process\, placing the body as the main medium expressed through dance works\, videos\, performances\, and exhibitions. Read more
URL:https://indonesiandancefestival.id/en/event/ping/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-PING-Ela-Mutiara.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241105T160000
DTEND;TZID=Asia/Jakarta:20241105T181500
DTSTAMP:20260405T154612
CREATED:20241001T204907Z
LAST-MODIFIED:20241110T173004Z
UID:12504-1730822400-1730830500@indonesiandancefestival.id
SUMMARY:90/NOW
DESCRIPTION:The trigger was an undeniable fact\, that the weather changes faster than Nout can imagine. This realization came through discussions with friends\, family\, and artists from various disciplines. Quips like; “it was better before”\, “it’s no longer like it used to be”\, “before it was like this\, like that…”\, moved her to express herself in questions about “change” – in everything: nature\, society\, humans. Nout questions the influence of these changes on her artistic practice\, and on the essence of her work. And as a common thread; Nout’s own change and evolution\, as an artist and a woman in a society that continues to experience endless metamorphosis. \nThe performance will have 3 parts:1. The poem2. 19903. Now \nCredits:Choreographer & Dancer : Noutnapha SoydalaArtistic Curator: Olé KhamchanlaEditor and Poem Singer: Chanthalangsy TannaboutCostume Texture: Souphalak PhongsavathCostume Design: LychEEMusic Composer: Sinthavong SengmounthongProduction : Fanglao dance company \nThe creation of this work is supported by :BlackBox VientianeFang Mae Khong international dance festivalKampana – Indonesia Dance Festival \nNoutnapha SoydalaNoutnapha Soydala is a Lao dancer and co-founder of the Fanglao Dance Company since 2013 with the aim of developing the practice of contemporary dance and encouraging international artistic cooperation. She began learning Lao Traditional Dance at age of six during primary school in Vientiane. In 2006\, She discovered contemporary dance during a dance workshop with Lao-French choreographer Olé Khamchanla. Read more
URL:https://indonesiandancefestival.id/en/event/90-now/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-90NOW-Noutnapha-Soydala.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241105T200000
DTEND;TZID=Asia/Jakarta:20241105T213000
DTSTAMP:20260405T154612
CREATED:20241001T195742Z
LAST-MODIFIED:20241110T171955Z
UID:12453-1730836800-1730842200@indonesiandancefestival.id
SUMMARY:Garis Tegak Lurus
DESCRIPTION:Seeing the unseen. Hearing the unheard. Touching the untouched. Feeling the unfelt. \nExistence and Absence. \nIf ember vapors can form droplets of water\, if streaks in the sky can create pillows of clouds that bestows rain\, if the earth constantly moves and breathes\, if water ever flows\, if the seas can recede. And the air is us that weave tales. real \nDeparting from Fitri’s bodily experience on Mount Bromo (East Java) and Mount Padang (West Java)\, Garis Tegak Lurus is a dance body work that crosses spiritual practices at right angles to the baseline. It shows a straight line or direction upwards or up to the peak. Then\, associating itself with layers of perpendicular objects stacked on top of each other with a fixed layer height. This work wants to jointly draw the individual void of emptiness towards the layered universe. Sparking contemplation about the essence of the relationship between humans\, nature\, and the creator. \nCreative TeamworkGaris Tegak Lurus \nConceptor/Visual Design/Choreographer : Fitri Setyaningsih \nDancer :Agatha Irena P.Angelia Aisyah M.Dia Merah \nArtistic : R. Agus CahyonoProperty : Fransguphita ReynolMusic Director : Gatot Danar S.Lighting Director : Riski Ade P.Costume : Reni SibaraniDocumentation : Dwe RachmantoHead of Production : Aik Vela \nSpecial thanks to:God AlmightyThe Body of the Volcano and the Earth of MankindAncient Volcano in Gunung KidulAll Growing CreaturesOmah Kebon HomestaySangkasa GalleryAnd contesting rooms that are both real and invisible that cannot be acknowledged one by one \nFitri SetyaningsihActive not just in expanding the ideas and the works of the body\, Fitri Setyaningsih also combines the body’s interaction with other sources of power including daily objects\, sound/noises\, conceptual art\, and other eclectic realms (interdisciplinary). Her work is deeply linked to the presence of self\, layered universes\, and archeology. Fitri also initiated a cross-medium space called Tamu Semesta. Read more
URL:https://indonesiandancefestival.id/en/event/garis-tegak-lurus/
LOCATION:Salihara Arts Center\, Jl. Salihara No.16\, Ps. Minggu\, Kec. Ps. Minggu\, Jakarta Selatan\, Daerah Khusus Ibukota Jakarta\, 12520\, Indonesia
CATEGORIES:"IDF 2024",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-Garis-Tegak-Lurus-Fitri-Setyaningsih-update.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241106T093000
DTEND;TZID=Asia/Jakarta:20241106T110000
DTSTAMP:20260405T154612
CREATED:20241005T125441Z
LAST-MODIFIED:20241110T174339Z
UID:12776-1730885400-1730890800@indonesiandancefestival.id
SUMMARY:Spiral Gong
DESCRIPTION:Created by Arco Renz\, Spiral Gong is a movement practice that energizes and connects mind and body\, allowing them to resonate and to move as one. Through specific breathing patterns\, participants will become more aware of their bodies in motion and explore the merging of opposing poles such as in-out\, open-close\, gather- disperse. Such operations are at the core of “Abstract Dramaturgy”\, a continuously evolving set of structural and choreographic processes in which dance becomes a live interaction between the dancer and the environment\, blurring the line between inside and outside\, self and other. Movements dissolve oppositions. Meaning\, narrative and dramaturgy are rendered as by-products of a process relating in movement. “Spiral” refers to energy patterns of breathing and movement in the body\, experienced as a pulse. While “Gong” symbolizes both work/effort (工) and the resonance of a gong instrument. \nThis class is open for PUBLIC/PROFESSIONAL DANCERS with the following requirements:\n– Has done routine physical training. \n📍 Studio Tari Besar\, Taman Ismail Marzuki \nArco RenzArco Renz works as choreographer\, director\, dancer\, dramaturge\, curator\, lecturer. As artistic director of Brussels based dance company Kobalt Works he has during 25 years created a profuse oeuvre of choreographies in Europe and Asia\, in parallel developed a practice in dramaturgy for contemporary dance in a transcultural context. His body of work particularly cares about elaborating the intersection of research\, exchange and knowledge through performance practice. Read more
URL:https://indonesiandancefestival.id/en/event/spiral-gong/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Masterclass-Gong-Spiral-Arco-Renz.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241106T103000
DTEND;TZID=Asia/Jakarta:20241106T130000
DTSTAMP:20260405T154612
CREATED:20241005T124647Z
LAST-MODIFIED:20241110T174450Z
UID:12770-1730889000-1730898000@indonesiandancefestival.id
SUMMARY:We Are All Guests In This Universe
DESCRIPTION:What if the body no longer grows?\nTouching a dead form in a living body.\n \nThis workshop is a brief provocation from Fitri Setyaningsih through simple themes\, presenting or bringing to life components according to their nature at the moment or when they occur. Fitri invites participants to converse their anxieties on an unlimited focus of the body\, then spark a creational approach across media or disciplines. Fitri also shares her impressions of the participants’ creations and reflects them back to the participants\, exchanged and developed so that they can emerge into events or incidents with new artistic patterns at that very moment. \nThis class is open for PUBLIC\, with the following requirements:\n– An interest in interdisciplinary work. \n📍 Studio Tari Besar\, Taman Ismail Marzuki \nFitri SetyaningsihActive not just in expanding the ideas and the works of the body\, Fitri Setyaningsih also combines the body’s interaction with other sources of power including daily objects\, sound/noises\, conceptual art\, and other eclectic realms (interdisciplinary). Her work is deeply linked to the presence of self\, layered universes\, and archeology. Fitri also initiated a cross-medium space called Tamu Semesta. Read more
URL:https://indonesiandancefestival.id/en/event/we-are-all-guest-in-this-universe/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Masterclass-Kita-Semua-adalah-Tamu-di-Semesta-Fitri-Setyaningsih.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241106T133000
DTEND;TZID=Asia/Jakarta:20241106T153000
DTSTAMP:20260405T154612
CREATED:20241030T124652Z
LAST-MODIFIED:20241030T175801Z
UID:13130-1730899800-1730907000@indonesiandancefestival.id
SUMMARY:Festivals and City Dynamics
DESCRIPTION:Panel:\nYoi Jariyapun\nSekar Alit\nRatri Anindyajati\n \nModerator:\nRama Thaharani \nIn Asia\, performing arts festivals play a significant role in shaping a city’s sense of identity\, serving as a dynamic reflection of the region’s diverse localities and historicity\, as well as its communal values. They not only celebrate a city’s cultural diversity\, but also position it as a hub for artistic exchange and innovation at national\, regional and global levels. Through activities that enhance the city’s cultural image and engage the public\, these festivals encourage a deeper appreciation of the arts\, while inviting engagement in broader cultural discussions. This discussion will explore in depth how performing arts festivals play a vital role in promoting cultural\, economic and social vitality. More than just entertainment\, these festivals also serve as a platform for discussing contemporary issues\, inviting the public to think critically and engage in dialogue about the challenges faced in the era of globalization. \nNo reservation needed. Register on the spot.
URL:https://indonesiandancefestival.id/en/event/festivals-and-city-dynamics/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Dance Talk
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Dance-Talks-Festivals-and-City-Dynamics-scaled.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241106T160000
DTEND;TZID=Asia/Jakarta:20241106T180000
DTSTAMP:20260405T154612
CREATED:20241001T202158Z
LAST-MODIFIED:20241110T173408Z
UID:12479-1730908800-1730916000@indonesiandancefestival.id
SUMMARY:Dibungkus Level 5
DESCRIPTION:For Angga who grew up in Jakarta\, the activity of wrapping rice in food stalls has become a core memory and a tie-in to talk about many things. To him\, wrapped rice is very close as a metaphor for the urban living space and the middle- to lower-class people packed together and having to do anything in tight spaces to survive in it. Wrapping rice in food stalls is more than just dexterity\, but linked to self-representation and soul reflection. Wrapping rice is an endless training\, where someone hones inner tranquility while demanding neatness\, swiftness\, and effectivity. Beyond an external metaphor\, the wrap itself is a metaphor for the human continuously fixing within. This work explores a familiar activity that contains unique movement vocabulary bringing a complex reflection on self\, soul\, and its living space. \nChoreographer: Try AnggaraDancers: Savika Refa Zahira\, Niear Syahrani Putri\, Clausdios Stevan Marani\, Menthari AshiaProduction: Caecilia Dilli\, Regina Audrey Ivana Zakariah \n📍 Teater Kecil\, Taman Ismail Marzuki \nTry AnggaraBorn in Jakarta and delves in the dance world through the Animal Pop Family community. Since 2012\, he has been involved in collaborations including John Heginbotham (USA)\, Ismaera Takeo (Japan)\, Christian Mejia (Costa Rica)\, and Park Je Chun (South Korea). Besides dancing for various Indonesian choreographers\, Angga was also involved in Festival Hujung Medini (Malaysia\, 2017)\, Ansan Street Festival (South Korea\, 2019)\, and was one of the main presenters of Indonesian Dance Festival (2016). Read more
URL:https://indonesiandancefestival.id/en/event/dibungkus-level-5/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-Dibungkus-Level-5-Try-Anggara.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241106T160000
DTEND;TZID=Asia/Jakarta:20241106T180000
DTSTAMP:20260405T154612
CREATED:20241001T203446Z
LAST-MODIFIED:20241110T173543Z
UID:12492-1730908800-1730916000@indonesiandancefestival.id
SUMMARY:The Synthetic of Hybrid Beings
DESCRIPTION:This work in development explores the transformation of the trans body through the process of Hormonal Replacement Therapy (HRT). Like nuclear fusion that combines atomic nuclei into a more powerful and complex entity\, HRT unites organic biology and medical technology to create a new hybrid identity. The trans body becomes a field where the boundaries between nature and technology become blurred. More than a medical treatment\, HRT is also an artistic and cultural act. In this post-human era\, the trans body is no longer a mere biotic entity\, rather a symbol of the dynamic evolution of human identity\, a living work of art that reflects the human journey that is always in a state of flux and always beyond the traditional concept of humanity that we previously understood. \nCredits:Produser: Dara HanafiChoreographer: Ishvara DevatiCo-researcher & Observer: Angelissa MelissaComposer: Arham AryadiLighting Artist: Apry Wibowo \n📍 Teater Kecil\, Taman Ismail Marzuki \nIshvara DevatiIshvara Devati (she/her) is a trans-artist based in Jakarta\, Indonesia. She focuses on interdisciplinary explorations in performing arts. Ishvara has participated in various workshops such as CP[3] by Dance Nucleus and Feminist Activism Tech Camp by PurpleCode. Her practice tends to explore ideas about transwoman identity. Read more
URL:https://indonesiandancefestival.id/en/event/the-synthetic-of-hybrid-beings/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-The-Synthetic-of-Hybrid-Beings-Ishvara-Devati.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20241106T193000
DTEND;TZID=Asia/Jakarta:20241106T210000
DTSTAMP:20260405T154612
CREATED:20241001T200518Z
LAST-MODIFIED:20241112T075839Z
UID:12462-1730921400-1730926800@indonesiandancefestival.id
SUMMARY:PAN XIAN
DESCRIPTION:How can traditional performing arts be revived and appreciated in the future? \nThe dance piece Pan Xian contemplates the latent need for faith and deities in folk culture\, while also highlighting the impact of current social movements in Taiwan. This work interlaces historical memories\, issues of gender identities\, traditional arts\, and its ceremonial framework.  \nIn Pan Xian\, choreographer Huang Huai-Te reexamines a particular ceremonial practice within the Xique (traditional Han opera) culture and Taoist ritual. Like other fading forms of performance\, Pan Xian\, which serves as an opening act for opera\, is heavily influenced by modern media. Borrowing a comforting form of ritual\, Pan Xian recreates an opportunity for both the artist and the audience to engage in a dialogue with tradition and rediscover the possible meaning of culture. \nCredits:Choreographer/Music Director: Huang Huai-TeAdministrator: Chuang Ping-HengPerformers: Fang I-Sung\, Kao Chih-Cheng\, Chuang Yueh\, Chen Yu-Hsiang\, Huang Bo-Yu\, Tsou Ying-Lin\, Hsieh Kuang-YuLighting Designer: Lin ChoProps Designer : Huang Li-YingCostume Designer: Li Yu-ShengComposer: Ho\, Hong-Chi (Senior Member of Ju Percussion Group)Music Source: Chen Guan-Hua Folk Music Ensemble\, JU Percussion GroupMusic Executor: Liu Po-YinAdministrative Staff: Lin Chih-YuRehearsal Assistant: Chao Yi-Ying \nSpecial thanks to: Second Brother of Wufengxuan (Xingang\, Chiayi)\, Taipei Performing Arts Center\, National Taiwan University of Arts \nSponsor: \nHuang Huai-TeA dancer and a choreographer\, founder of Dashing Theater. Through Dashing Theater\, he aims to create absorbing and engaging images with dance by interweaving Taiwanese historical memories with contemporary issues. Huang’s concerns include: how to connect people with dance\, and how to bring their attention to societal issues through dance. Before the establishment of Dashing Theater in 2020\, Huang was a dancer and choreographer at Horse Dance Theater and also a resident choreographer for Cloud Gate 2 in 2015 and 2017. Read more
URL:https://indonesiandancefestival.id/en/event/pan-xian/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2024",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/10/2024-FI-Pertunjukan-Malam-Pan-Xian-Huang-Huai-te.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
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