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X-WR-CALDESC:Events for Indonesian Dance Festival
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TZID:Asia/Jakarta
BEGIN:STANDARD
TZOFFSETFROM:+0700
TZOFFSETTO:+0700
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20240121T190000
DTEND;TZID=Asia/Jakarta:20240121T220000
DTSTAMP:20260405T212327
CREATED:20240109T182351Z
LAST-MODIFIED:20240122T113932Z
UID:11585-1705863600-1705874400@indonesiandancefestival.id
SUMMARY:In Cycle
DESCRIPTION:This work speaks about women’s cycles\, about the phases of life that must be passed through in the modern era within the shadow of moral values that are passed down from generation to generation. Women are blessed with the resilient nature to go through the stages of their lives\, bearing the biological\, social and natural duties that follow them. With vigour\, women continue to explore the meaning of tenderness\, connection with the cycles of nature and the body\, and the unique power within themselves. \nChoreographer: Siti Alisa | Production Manager: Korinta Cynthia | Artistic Designer: Suyatno | Sound Designer: Rizki Azasi | Lighting Designer: Fajar Okto | Dancers: Karina Larosi\, Rachel Lucia\, Dhania Shelomita\, Prita Hutagalung \nSiti AlisaSiti Alisa is an independent dance artist based in Jakarta. Alisa studied classical ballet dance for 15 years at the Namarina Dance Academy and received an Advanced degree in Royal Academy of Dancing (ARAD). Alisa continued her studies at the Jakarta Arts Institute and graduated in 2017. Read more\nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/in-cycle/
LOCATION:Studio Banjarmili\, Studio Banjarmili\, Kradenan\, Banyuraden\, Gamping\, Sleman Regency\, Yogyakarta\, Daerah Istimewa Yogyakarta\, 55293\, Indonesia
CATEGORIES:Lawatari Yogyakarta
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/01/COMP-Banner-Website-Desktop-Pertunjukan-D2.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20240121T190000
DTEND;TZID=Asia/Jakarta:20240121T220000
DTSTAMP:20260405T212327
CREATED:20240109T181925Z
LAST-MODIFIED:20240122T113909Z
UID:11581-1705863600-1705874400@indonesiandancefestival.id
SUMMARY:Suun
DESCRIPTION:Suun departs from the discoveries obtained when observing the activity of suun as a daily practice of the body. Suun is a technique of carrying items by placing them on the head. When performing suun\, there is a connection between the body\, objects and space – how objects placed above the head affect the body’s movement space. Utilising dance and her mother’s biography as a starting point\, Arista examines further the position of women in relation to power. As a choreographer\, she is dedicated to continuing to explore the various discrimination phenomena experienced by Balinese women. \nPutu Arista DewiPutu Arista Dewi\, who was born in 1995\, is a dancer and choreographer from Jembrana\, Bali\, who currently lives in Yogyakarta. In the last two years\, Arista has collaborated extensively with fellow artists across disciplines\, including theatre\, music and visual art. Read more\nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/suun/
LOCATION:Studio Banjarmili\, Studio Banjarmili\, Kradenan\, Banyuraden\, Gamping\, Sleman Regency\, Yogyakarta\, Daerah Istimewa Yogyakarta\, 55293\, Indonesia
CATEGORIES:Lawatari Yogyakarta
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/01/COMP-Banner-Website-Desktop-Pertunjukan-D2.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20240121T100000
DTEND;TZID=Asia/Jakarta:20240121T120000
DTSTAMP:20260405T212327
CREATED:20240109T175820Z
LAST-MODIFIED:20240122T113813Z
UID:11576-1705831200-1705838400@indonesiandancefestival.id
SUMMARY:Methods of Martinus Miroto
DESCRIPTION:In 2021\, the Indonesian dance scene lost one of its maestros\, Martinus Miroto\, who had contributed significantly through his works. Miroto\, who was born in 1959\, apart from being known for his choreographic works\, has also opened up space for artists through various initiatives\, built Studio Banjarmili in 2001 and also started the Bedog Arts Festival in 2007. His piece “Penumbra” which started from Miroto’s final assignment to obtain a Master of Fine Arts (M.F.A. ) at the University of California Los Angeles (UCLA) in 1995\, became an important point in the history of his work. Looking briefly at the long history of Miroto’s journey in the world of dance\, indeed we can imagine that it cannot be disassociated with two aspects\, training discipline and thought processes. He then applied both of them not only to himself\, but to the dancers involved in his works. So to understand Miroto’s thought process we need to experience his training discipline\, and vice versa\, understanding Miroto’s thoughts will let us connect more easily with his training discipline. \nWith these considerations in mind\, this workshop will be divided into two sessions. In the first session\, participants will listen to stories and testimonials from the first generation of Miroto Dance Company dancers\, Agung Gunawan\, then continue to the second session with physical training by Anter Asmorotedjo. \nExploring the Minds of Yogyakarta Dance PractitionersFive young choreographers performed their works\, dance practitioners exchanged insights\, while performing arts managers collaborated to make Lawatari: Yogyakarta happen. Read more\nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/methods-of-martinus-miroto/
LOCATION:Studio Banjarmili\, Studio Banjarmili\, Kradenan\, Banyuraden\, Gamping\, Sleman Regency\, Yogyakarta\, Daerah Istimewa Yogyakarta\, 55293\, Indonesia
CATEGORIES:Lawatari Yogyakarta,Masterclass
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/01/COMP-Banner-Website-Desktop-Masterclass.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20240120T190000
DTEND;TZID=Asia/Jakarta:20240120T220000
DTSTAMP:20260405T212327
CREATED:20240109T181509Z
LAST-MODIFIED:20240122T113743Z
UID:11572-1705777200-1705788000@indonesiandancefestival.id
SUMMARY:Ganda
DESCRIPTION:Ganda is a dance piece that depicts the emotional and physical journey of women ‘carrying’ labourers who work at the Beringharjo Market\, Yogyakarta. This dance tells the story of their dual roles in an intriguing choreography\, creating harmony between their graceful movements and the physical burdens they carry every day. Through dynamic dance movements\, the dancers portray their interactions with various goods in the market. They form interrelated patterns\, creating a visual picture of the interconnection of life in traditional markets. The long shawls they wear are a symbol of the tenacity and passion of women as labourers. \nValentina AmbarwatiValentina Ambarwati was born in Bantul in 1996 and has been exposed to the world of dance since she was eight years old. By her father\, who is a folk artist in the Bantul area\, Valentina was introduced to Jathilan folk art\, which forms a strong body of tradition in her movements. Read more\nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/ganda/
LOCATION:Studio Banjarmili\, Studio Banjarmili\, Kradenan\, Banyuraden\, Gamping\, Sleman Regency\, Yogyakarta\, Daerah Istimewa Yogyakarta\, 55293\, Indonesia
CATEGORIES:Lawatari Yogyakarta
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/09/2024-FI-PE-Lawatari-YK-Ganda-Valentina-Ambarwati.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20240120T190000
DTEND;TZID=Asia/Jakarta:20240120T220000
DTSTAMP:20260405T212327
CREATED:20240109T181140Z
LAST-MODIFIED:20240122T113723Z
UID:11568-1705777200-1705788000@indonesiandancefestival.id
SUMMARY:Budi Bermain Boal
DESCRIPTION:This work reflects various experiences lived by Megatruh and elementary school students in the 1980-2000s era in various regions of Indonesia. The name “Budi” is deeply embedded in the memories of students in that era because it is included in the Indonesian language lesson book “Ini Budi”\, distributed and used in schools throughout the country\, and the name became a term that was created and standardised to describe the ‘good student’ model in the eyes of the teacher. This phenomenon forms a uniform student experience across the country\, regardless of alternative thinking\, with the target of following the syllabus without developing students’ potential and creative abilities in the educational process. Megatruh’s reflection on the existence of a ruling figure who carries out standardisation or “cultivation”\, where a teacher or lecturer can also be a figure of power within a large system to carry out this “cultivation”. Education seems to be a game for those in power\, like a soccer ball. The thoughts and methods of Augusto Boal’s Theater of the Oppressed were applied by Megatruh as a frame for reflection and access to invite the audience’s active involvement in this work. Through the inclusive Boal technique\, Megatruh hopes that a process of empowerment and democratisation will occur\, a testimony that all groups have the right to play a role in determining the direction of a society. \nChoreographer: Megatruh Banyu Mili | Dancers: Widi Pramono\, Putri Lestari\, Megatruh Banyu Mili | Dramaturg: Ahmad Jalidu | Lighting Designer: Ign. Zordy | Costume Designer: Megatruh Banyu Mili | Sound Designer/Composition: Cahya Kalatidha | Musicians: Cahya Kalatidha\, Revi Perkasa Alam\, Pramesti \nMegatruh Banyu MiliMegatruh Banyu Mili is a dancer and choreographer from Yogyakarta who has been active in performing arts since 2010 with Bengkel Mime Theater and Theater Garasi/Garasi Performance Institute. Read more\nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/budi-bermain-boal/
LOCATION:Studio Banjarmili\, Studio Banjarmili\, Kradenan\, Banyuraden\, Gamping\, Sleman Regency\, Yogyakarta\, Daerah Istimewa Yogyakarta\, 55293\, Indonesia
CATEGORIES:Lawatari Yogyakarta
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/09/2024-FI-PE-Lawatari-YK-Budi-Bermain-Boal-Megatruh-Banyumili.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20240120T190000
DTEND;TZID=Asia/Jakarta:20240120T220000
DTSTAMP:20260405T212327
CREATED:20240109T180520Z
LAST-MODIFIED:20240122T113704Z
UID:11562-1705777200-1705788000@indonesiandancefestival.id
SUMMARY:Atandâng
DESCRIPTION:Atandâng is a dance piece that departs from Sri Cicik Handayani’s exploration of the relationship between the penayub and the tandâ woman. Penayub is a male dancer and Tandâ is a female dancer in the Madurese Tayub traditional social dance. In this work\, the choreographer attempts to trace the nandâng (dancing) activities of the penayub by rereading the gestures and corporeality of the male body in traditional dance choreography through the perspective of female penandâ’. \nChoreographer: Sri Cicik Handayani | Dancers: Sri Cicik Handayani\, Yogi Afriah M. Yusuf | Artistic & Lighting Designer: Deva Rizki Listianto \nSri Cicik HandayaniSri Cicik Handayani\, familiarly called Cici\, was born in 2000 in Sumenep\, Madura. She began dancing at seven years old due to the encouragement of her father\, who is a Madurese master puppeteer. Read more\nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/atandang/
LOCATION:Studio Banjarmili\, Studio Banjarmili\, Kradenan\, Banyuraden\, Gamping\, Sleman Regency\, Yogyakarta\, Daerah Istimewa Yogyakarta\, 55293\, Indonesia
CATEGORIES:Lawatari Yogyakarta
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/09/2024-FI-PE-Lawatari-YK-Atandang-Sri-Cicik-Handayani.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20240120T100000
DTEND;TZID=Asia/Jakarta:20240120T150000
DTSTAMP:20260405T212327
CREATED:20240109T175609Z
LAST-MODIFIED:20240122T113646Z
UID:11556-1705744800-1705762800@indonesiandancefestival.id
SUMMARY:Arts Management: Assembling Space for Collective Growth
DESCRIPTION:This workshop offers insights into the design and management of dance platforms -both practically and conceptually- which IDF developed over 31 years as a starting point. In this workshop participants will be actively involved in mapping and analyzing various current art platforms\, developing existing practices\, and exploring the latest ideas. Through this workshop\, the dynamics of the practice of various dance platforms will be mapped\, and new dance platforms will emerge that are contextual\, innovative\, progressive and sustainable. \nFacilitators: Linda Mayasari (IDF Curator)Renata Rosari (Festival Manager IDF) \nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/arts-management-assembling-space-for-collective-growth/
LOCATION:Studio Banjarmili\, Studio Banjarmili\, Kradenan\, Banyuraden\, Gamping\, Sleman Regency\, Yogyakarta\, Daerah Istimewa Yogyakarta\, 55293\, Indonesia
CATEGORIES:Lawatari Yogyakarta,Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/09/2024-FI-PE-Lawatari-YK-Seni-Tata-Kelola.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20240119T153000
DTEND;TZID=Asia/Jakarta:20240119T180000
DTSTAMP:20260405T212327
CREATED:20240109T175518Z
LAST-MODIFIED:20240122T113624Z
UID:11550-1705678200-1705687200@indonesiandancefestival.id
SUMMARY:Strategy of Sustainable Arts Strategy
DESCRIPTION:Looking at one’s own context is critical to find strategies for working in the dance sector with a variety of choices. The three practitioners in the discussion come from three different contexts\, perhaps intersecting with each other\, but in continued process exploring best strategies when faced with diverse challenges. Mila Rosinta Totoatmodjo reflects on the intersection between work\, motherhood\, and how to support both aspects mentally and financially. Scholastica W. Pribadi takes us to reflect on the dynamics of building platforms and studios in geographic spaces that are quite challenging in terms of infrastructure and artistic environment\, in Gunung Kidul\, Yogyakarta. Siti Alisa offers reflections on her journey as a choreographer and dancer\, which is not only about dance technique and craftsmanship\, but beyond that\, there is an essential awareness about the body and its position in specific spaces that needs to be considered. \nSpeakers:Mila Rosinta Totoatmodjo (Founder of Mila Art Dance)Scholastica W. Pribadi (Founder of Loka Art Studio)Siti Alisa (Choreografer) \nModerator:Nia Agustina (Paradance) \nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/strategy-of-sustainable-arts-strategy/
LOCATION:STAIRS by Seken Living\, STAIRS at Prawirotaman\, Jl. Prawirotaman\, Brontokusuman\, Kec. Mergangsan\, Yogyakarta\, Daerah Istimewa Yogyakarta\, 55153\, Indonesia
CATEGORIES:Dance Talk,Lawatari Yogyakarta
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/09/2024-FI-PE-Lawatari-YK-Strategi-Berkesenian-yang-Berkelanjutan.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20231207T200000
DTEND;TZID=Asia/Jakarta:20231207T220000
DTSTAMP:20260405T212327
CREATED:20231129T121247Z
LAST-MODIFIED:20240117T205549Z
UID:11115-1701979200-1701986400@indonesiandancefestival.id
SUMMARY:SILO
DESCRIPTION:The work “SILO” explores the Islamic custom of tahlil (the act of repeatedly reciting the sentence “la ilaha illa Allah”\, which means “there is no other god worthy of worshipping\, other than Allah” as a prayer ritual)\, in this context seen as the central motoric movement around the torso. The work is a vertical dialogue method between him and the Holy One through repetitive and personal movements. This work is developed from his previous work “SILA”\, which was created during Ghulur’s residency at American Dance Festival. Ghulur sees “SILO” as a space to explore the body within the constraints of physical space. “SILO” as a choreography and ritual is an endeavour to reach the emotional and spiritual peak with a limited physical position where one is grounded to the earth. \nThe artist talk after the performance will dissects the development process of the two works presented at Lawatari Padangpanjang. “SILO” by Hari Ghulur and “Tanangan” by Kurniadi Ilham are developed through several transformation of artistic form and staging. These two works are very closely related to the cultural background of the artists. Hari Ghulur embarks on an exploration of “SILO” from the tahlil tradition in Islam and the intensity of torso movement as a motor center. Apart from exploring the transformation process in the development of these work\, Hari will share how he draw inspiration from the daily rituals he experience in his living spaces and how he use body movements in their daily lives as a kinesthetic mode for choreographic works. \nSpeaker: Hari GhulurResponder: Ali SukriModerator: Ahmad Oscar Ridho \nArtist/Choreographer: Hari Ghulur | Dramaturg: Arco Renz | Composer: Rosemainy Buang | Lighting Direction: Riski Ade Pradista | Producer & Manager: Sekar Alit | Costume Designer: Retno Damayanti | Dancers: Hari Ghulur\, Patry Eka\, Puri Senja\, Errina Aprilyani\, Angga I Tirta\, Aditya Putra\, Sefira Sukmaningtyas. \nHari GhulurMoh. Hariyanto (b.1986)\, also known as Hari Ghulur\, is a choreographer and dancer based in Surabaya. His works “Ghulur”\, “Ghabal”\, “White Stone”\, ”Sila”\, and “Jap_Vanese”\, have been presented in T.H.E Contact Contemporary Dance\, Europalia Art Festival\, University of Malaya\, American Dance Festival\, and Indonesian Dance Festival. Read more\nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/silo-lawatari-padang-panjang/
LOCATION:Hoerijah Adam Performance Hall\, ISI Padang Panjang\, Gedung Pertunjukan Hoerijah Adam\, GCR3+WG7\, Guguk Malintang\, Padang Panjang Timur\, Padang Panjang\, Sumatera Barat\, 27118\, Indonesia
CATEGORIES:Lawatari Padang Panjang
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/01/COMP-FEAT-IMG-LT-PP-Silo.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231206
DTEND;VALUE=DATE:20231208
DTSTAMP:20260405T212327
CREATED:20231130T083539Z
LAST-MODIFIED:20240117T203813Z
UID:11190-1701820800-1701993599@indonesiandancefestival.id
SUMMARY:Arts Management: Assembling Space for Collective Growth
DESCRIPTION:This workshop offers insights into the design and management of dance platforms -both practically and conceptually- which IDF developed over 31 years as a starting point. In this workshop participants will be actively involved in mapping and analyzing various current art platforms\, developing existing practices\, and exploring the latest ideas. Through this workshop\, the dynamics of the practice of various dance platforms will be mapped\, and new dance platforms will emerge that are contextual\, innovative\, progressive and sustainable. \nFacilitators: \nLinda Mayasari (IDF Curator)\nRenata Rosari (Festival Manager IDF)\n \nSession 1 : Saturday\, 6 December | 10:45 – 13:00\nSesision 2 : Sunday\, 7 December | 14:00 – 15:00 \n*registration and attendance of both sessions are required \nLawatariLawatari is made of a combination of two words – to visit (lawat) and tari (dance). This combination represents Indonesian Dance Festival (IDF)’s intention to connect with performing arts practitioners by co-organizing a mini festival. Held in collaboration with local partners\, this program brings the spirit of visiting and getting to know the context of the areas visited. Lawatari was held in Makassar\, Padang Panjang and Yogyakarta as part of the Road to IDF 2024 program series. \nAbout Lawatari
URL:https://indonesiandancefestival.id/en/event/arts-management-assembling-space-for-collective-growth-2/
LOCATION:Hoerijah Adam Performance Hall\, ISI Padang Panjang\, Gedung Pertunjukan Hoerijah Adam\, GCR3+WG7\, Guguk Malintang\, Padang Panjang Timur\, Padang Panjang\, Sumatera Barat\, 27118\, Indonesia
CATEGORIES:Lawatari Padang Panjang,Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2024/01/COMP-FEAT-IMG-LT-PP-Lokakarya-Seni-Tata-Kelola.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221028T193000
DTEND;TZID=Asia/Jakarta:20221028T213000
DTSTAMP:20260405T212327
CREATED:20221012T054849Z
LAST-MODIFIED:20230116T211437Z
UID:9313-1666985400-1666992600@indonesiandancefestival.id
SUMMARY:IDF 2022 Closing Ceremony
DESCRIPTION:IDF 2022 concludes its festival programs with a deep gratitude and appreciation towards all involved practitioners – on stage and behind the scenes. The 16th edition of South East Asia’s longest-running festival marks the regeneration of the festival team\, from IDF co-founders who have now taken the roles in the Steering Committee\, to the young working team led by Ratri Anindyajati as Director. \nWithin 7 days\, the festival has hosted 7 evening performances\, 6 Kampana performances\, 8 workshops\, 4 Dance Talks\, Vasana Tari archive exhibition\, and Lokapasar – a retail area for Indonesian products and IDF limited edition merchandise in collaboration with local communities. \nThe Closing Night features: \n\n“No.60” Performance by Pichet Klunchun Dance Company (Thailand)\nClosing ceremony of IDF 2022
URL:https://indonesiandancefestival.id/en/event/idf-2022-closing-ceremony/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Festival Closing Ceremony
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/10/Webbanner.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221028T193000
DTEND;TZID=Asia/Jakarta:20221028T213000
DTSTAMP:20260405T212327
CREATED:20221005T201057Z
LAST-MODIFIED:20230116T211215Z
UID:9091-1666985400-1666992600@indonesiandancefestival.id
SUMMARY:No. 60
DESCRIPTION:“No. 60” is a treatise on Pichet Klunchun’s research over two decades on the language of Thai traditional Khon dance. Stripping the classical form of its face-mask and sequined costume\, Pichet scrutinizes the 59 poses and movements in the Theppanom canon which all Thai classical dancers acquire by rote-learning. He then formulates six new principles that underlie this 700-year-old system and presents a manual of hand-drawn diagrams and notes that allows the young generation to think and learn rationally\, free of mysticism and ideological imposition of history. \n“No. 60” composes two choreographic studies that enact Pichet’s philosophy of relativity and fluidity. The first one applies the formal logic of abstraction\, cool and contemporary compared to the second one which is more mimetic\, affective and closer to the expressive nature of Khon dance. Each study also reflexively breaks down the lexicon that constitutes its choreography\, and lets us observe the rigour of an academic approach and the potential of structured improvisation for the contemporary trajectory of Khon dance. \nAs “No. 60” unfixes the rigidity of classicism\, it also embraces the sense and soul of Thai legacy. It unfolds a complex dialogue between tradition and innovation as they inhabit and circulate within the same continuum\, not as binary opposites\, to instigate individual thought and motility in the times of autocracy. \nCommissioned and co-produced by Esplanade – Theatres on the Bay\, Singapore\nCo-produced by TPAM – Performing Arts Meeting in Yokohama and Taipei Performing Arts Center \nArtistic director\, Choreographer & Dancer: Pichet Klunchun | Dancer: Kornkarn Rungsawang | CG artist: Jaturakorn Pinpech | Music/ Sound designer: Zai Tang | Set concept/ Lighting design: Ray Tseng | Dramaturge: Tang Fu Kuen | Producer/ Company manager: Sojirat Singholka | Production/ Stage manager: Cindy Yeong \nPichet KlunchunPichet Klunchun bridges traditional Thai Classical Dance language with contemporary sensibility\, while keeping the heart and wisdom of the convention. He trained in Thai Classical Mask Dance\, Khon\, from age 16 with Master Chaiyot Khummanee. Over the past 15 years\, Pichet has earned domestic notoriety for his efforts in contemporising Khon. Read more
URL:https://indonesiandancefestival.id/en/event/no-60/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-7.-No.-60-Principle-Pichet-Klunchun-Dance-Company.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221028T163000
DTEND;TZID=Asia/Jakarta:20221028T171000
DTSTAMP:20260405T212328
CREATED:20221006T180458Z
LAST-MODIFIED:20230116T210934Z
UID:9164-1666974600-1666977000@indonesiandancefestival.id
SUMMARY:Pesona
DESCRIPTION:Smartphones and their advanced cameras have made us accustomed to capturing or recording anything around us. As a choreographer\, Eka’s drive to take pictures comes from dances\, particularly the Gong Dayak Kenyah dance\, one closely related to her own body and dancing experience. Since 2016\, Eka has been researching the history\, kinesthetic elements\, mythology\, and aura of this specific dance. In her research process\, she observes pictures of the Gong Dayak Kenyah dance\, taken by herself and her collaborators. She then found particular characteristics in the form of personal tastes\, feelings\, perspectives\, even aesthetic and ethical considerations from the photographer’s gaze on the Gong Dayak Kenyah dance. The experience makes them feel as if there is an invisible guide that controls the angle and view of the camera lens. \nThrough the choreography work in “Pesona”\, Eka experiments with exchanging various perspectives and rereading the characteristic elements that also influence the visual sense of pictures taken of the Gong Dayak Kenyah dance. \nChoreographer: Eka Wahyuni | Collaborators: Azwar Ahmad\, Melynda Adriani\, Primadana Affandi\, Wendy Pratama | Music by: Whansetiyawan | Lighting designer: Yonek D. Nugraha | Brainstorming partner: Linda Mayasari | Trial support: Movement Lab\, Proyek Edisi\, Temu Seni Tari | Technical trial support: Pahlawan Chaniago\, Riski Rianda\, Taufik Ivan (Pendukung Teknis Uji Coba) \nEka WahyuniPrior to being a contemporary dance choreographer\, Eka Wahyuni started her career as a traditional East Kalimantan dancer\, based in Yogyakarta. The idea of archives and memories within the body\, myths\, and social phenomenon are her main interests in creating works. Since 2016\, she has been working on a long-term project “Pesona Tari Gong” (“The Enchantment of Tari Gong”)\, along with other works revolving around dance-body records such as “Rekalindung” (2021) and “Dancing the Monument” (2022). Read more
URL:https://indonesiandancefestival.id/en/event/pesona/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-6.-Pesona-Eka-Wahyuni.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221028T153000
DTEND;TZID=Asia/Jakarta:20221028T161000
DTSTAMP:20260405T212328
CREATED:20221006T172219Z
LAST-MODIFIED:20230116T210711Z
UID:9156-1666971000-1666973400@indonesiandancefestival.id
SUMMARY:dH@nZ dH@nZ 3moj! (Dance Dance Emoji)
DESCRIPTION:Do you want some Dance Dance Dancing? 🤨 Yes you want some DANCE DANCE DANCING! 🙊🙉🙈!!! 2gether ✌ we dance for transformation 👊 whOa-NEss ❗\, brotherhood 🤜🤛↩↪ and harmony 🤙🔃+🍑↕ . Follow the game\, watch 👀 and learn. Participate 🤫\, be obedient ✊🍑✊ ✊❌🍑✊ to instruction with the correct ✅ dance dance dance! The New World Society ✌🌏👊 has arrived and brings its newest game: Dance Dance Emoji 💃🕺. ✌🐱👊🐥 \n“Dance Dance Emoji” is a performance that is based on Tik Tok dance tutorials that use emojis to describe movement. At the same time\, it reflects the use of social media in Philippine context. “Dance Dance Emoji” is a part of a larger project called “Tik Tok Ethnochoreology”; a research on dancing and social media which was started in 2021. \nArtist & Choreographer: Jared Jonathan Luna | Video technician: Nicole Primero \nJared Jonathan LunaJared Jonathan Luna is a dance artist and aspiring memelord from Manila\, Philippines. They have a masters degree in Dance Anthropology and Ethnochoreology from Choreomundus: International Master in Dance Knowledge Practice and Heritage. Jared is interested in vernacular movement systems in urban spaces. Read more
URL:https://indonesiandancefestival.id/en/event/dhnz-dhnz-3moj-dance-dance-emoji/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-5.-dH@nZ-dH@nZ-3moj-Dance-Dance-Emoji-Jared-Luna.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221028T130000
DTEND;TZID=Asia/Jakarta:20221028T143000
DTSTAMP:20260405T212328
CREATED:20221019T122854Z
LAST-MODIFIED:20240831T132014Z
UID:9674-1666962000-1666967400@indonesiandancefestival.id
SUMMARY:Performing Artifacts: Objects in Question
DESCRIPTION:Mella Jaarsma is a long time artist who uses various mediums to translate ideas about clothing or body covering traditions\, some of which have been expanded into performance practices. The performativity aspect of Mella’s work becomes a temporary offer of a deep reading of objects and artifacts\, but also shapes them in a new reality of space and time. By clashing artifacts and works\, objects and performativity\, conceptual and historical\, Mella Jaarsma confronts us with situations that are out of the ordinary for the body and what we cover it with\, presenting experiences that are between that of the real and the imaginary. \nThe Indonesian Dance Festival in collaboration with ROH holds an artist talk program to explore more in terms of performativity in Mella Jaarsma’s artistic practice. \nSpreaker:\nMella Jaarsma \nModerator:\nYacobus Ari R \n30 Years of IDF – Rasa: Beyond BodiesIn 2022\, the Indonesian Dance Festival (IDF) reaches its 30th year\, a milestone representing an established foundation and maturity. For the 30th anniversary\, through the title “RASA: Beyond Bodies\,” the IDF traces the steps that have been taken and speculates what will next benefit the development of Indonesian dance. \nInformation about Festival
URL:https://indonesiandancefestival.id/en/event/riset-artistik-metafora-medium/
LOCATION:ROH Project\, Jl. Surabaya No.66\, Gondangdia\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10310\, Indonesia
CATEGORIES:"IDF 2022",Dance Talk
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2023/01/DANCE-TALK-Menampilkan-Artefak-Objek-yang-Dipertanyakan.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221027T193000
DTEND;TZID=Asia/Jakarta:20221027T200000
DTSTAMP:20260405T212328
CREATED:20221005T200206Z
LAST-MODIFIED:20230116T205820Z
UID:9081-1666899000-1666900800@indonesiandancefestival.id
SUMMARY:The Size of Rice II
DESCRIPTION:Measurements play an important part in our lives and form the basis of our mindset\, instinct and intelligence. How we perceive the world and how we shape the world around us is a direct reflection on measurement and proportion in relations to the human body. This performance takes inspiration from a grain of rice\, a traditional measurement unit in a shared agrarian heritage of Southeast Asia. It was this common measurement unit that made commerce in the region possible. However\, measurements also serve other purposes beyond commerce. Measurements are also a system of quantification for building and dwelling. In an archipelago like Indonesia\, a diversity of systems of measurement also diversifies the process of worlding itself. \nMella Jaarsma invited four performers with diverse ethnical and cultural backgrounds in Indonesia to collaborate with her. Based on each dancer’s ontological understanding of preferred correlations\, namely length\, weight\, time and distance (interspace)\, the artist creates an art object for each individual. After the objects take shape\, she welcomes the performers to interact with the artworks according to their own understanding of the world. “The Size of Rice II” digs into measurements of objects\, like a grain of rice\, as well as measurements between objects and the body. \nConcept: Mella Jaarsma | Performers: Abdi Karya\, Siska Aprisia\, Pebri Irawan\, Ari Dwianto | Wood constructions: Octo Cornelius | Video: Anita Reza Zein | Light: Banjar Andura \nMella JaarsmaMella Jaarsma is known for her complex costume installations and her focus on forms of cultural and racial diversity embedded within clothing\, the body and food. She was born in the Netherlands in 1960 and studied visual art at Minerva Academy in Groningen (1978-1984)\, after which she left the Netherlands to Indonesia to study at Jakarta Institute of Arts (IKJ\, 1984) and at the Indonesian Institute of the Arts (ISI) in Yogyakarta (1985-1986). In 1988\, she co-founded Cemeti Art House (with Nindityo Adipurnomo)\, the first space for contemporary art in Indonesia. Read more
URL:https://indonesiandancefestival.id/en/event/the-size-of-rice-ii/
LOCATION:Teater Luwes\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-6.-The-Size-of-Rice-II-Mella-Jaarsma.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221027T160000
DTEND;TZID=Asia/Jakarta:20221027T173000
DTSTAMP:20260405T212328
CREATED:20221019T121818Z
LAST-MODIFIED:20230116T205642Z
UID:9666-1666886400-1666891800@indonesiandancefestival.id
SUMMARY:Sustainability through Regeneration
DESCRIPTION:The continuation of art practice has always been a challenging matter for all art stakeholders in Indonesia to think about. This is mainly due to limited and unequal infrastructure and economic resources\, but also other important aspects that are interrelated\, such as contextual artistic vision\, human resources\, target audience\, development of digital communication technology\, mobility of people and goods\, professional networks\, also the dynamics of the art field both in the local\, national\, and global aspects. Meanwhile\, performing arts has a distinctive pattern because this sustainability issue does not only apply to groups\, but also individual artists. \nDeparting from the regeneration process that is being carried out by IDF and several other art organizations in Indonesia in the last few years\, the four speakers presented will provide readings and meanings of regeneration from their own experience. \nSpeakers:\nJeannie Park\nSari Majid\nYudi Tadjudin\nIna Suryadewi \nModerator:\nFarah Wardani \n  \nVenue: Rooftop/Serambi – Salihara Arts Center \n30 Years of IDF – Rasa: Beyond BodiesIn 2022\, the Indonesian Dance Festival (IDF) reaches its 30th year\, a milestone representing an established foundation and maturity. For the 30th anniversary\, through the title “RASA: Beyond Bodies\,” the IDF traces the steps that have been taken and speculates what will next benefit the development of Indonesian dance. \nInformation about Festival
URL:https://indonesiandancefestival.id/en/event/keberlanjutan-melalui-regenerasi/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Dance Talk
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2023/01/DANCE-TALK-Keberlanjutan-Melalui-Regenerasi.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221027T140000
DTEND;TZID=Asia/Jakarta:20221027T160000
DTSTAMP:20260405T212328
CREATED:20221012T192831Z
LAST-MODIFIED:20230116T205543Z
UID:9400-1666879200-1666886400@indonesiandancefestival.id
SUMMARY:E-PAL: Remembering Our Childhood Body
DESCRIPTION:In this workshop\, Eyi Lesar will invite participants to play games such as the traditional childhood game\, Gobak Sodor. Participants will explore integrating choreography\, games and sports\, while considering intentions and the impact on one’s body’s motor response within a space. This session is an experiment in which participants are challenged to create a patternless choreographic structure that conforms to the rules in a given “space” and relies on the spontaneity of the body. The grown-ups and their bodies will be invited back in time to remember the intelligence of children playing “standby mode” and “neutral mode”\, all the while focused on the goal at hand: dancing while winning the game. \nVenue: Teater Jakarta 4th Fl Studio\nThis workshop is delivered in bahasa Indonesia.\n \nFerry Alberto LesarFerry Alberto Lesar\, a dancer and choreographer\, was born in Manado\, 13 February 1993.  As an alumni of the Department of Dance\, Jakarta Arts Institute (IKJ)\, he studied various dance genres such as break dance\, traditional\, modern\, even hip-hop which later influenced his choreography style. He has collaborated with a number of notable choreographers from Indonesia and overseas\, including Hartati\, Eko Supriyanto\, Tom Ibnur\, Yola Yulfanti\, Peter Wilson\, Kapronczai Erika\, and Arno Schuitmaker. Read more
URL:https://indonesiandancefestival.id/en/event/e-pal-mengingat-tubuh-masa-kecil/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/10/Workshop-Eyi-Lesar-scaled.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221027T123000
DTEND;TZID=Asia/Jakarta:20221027T140000
DTSTAMP:20260405T212328
CREATED:20221013T095050Z
LAST-MODIFIED:20230116T205404Z
UID:9480-1666873800-1666879200@indonesiandancefestival.id
SUMMARY:Body Exploration
DESCRIPTION:Body exploration is highly important\, acting as the basics of cultivating potential in the body\, as a pre-dance class. This practice is synergized with movement exploration\, to produce the ability to synchronise imagination and body capacity to illustrate ideas\, may it be one or many. This class facilitates involvement of the general public to be able to move\, understand their potential\, and at least enjoy the sensation of a professional dancer-style class. Can be followed by the general public\, dance fans\, non-dancers\, and across all ages. \nVenue: Teater Jakarta 4th Fl Studio\nThis workshop is delivered in bahasa Indonesia.\n \nSiko SetyantoSiko Setyanto - a dancer and choreographer - started studying from the age of nine with Wied Sendjayani at Sanggar Maniratari\, Solo. Founder of the Risk Dance Group and the Dansity Dance Company\, Siko is also serving a term as a member of the Dance Committee of the Jakarta Arts Council (DKJ) from 2020 to 2023. Read more
URL:https://indonesiandancefestival.id/en/event/olah-tubuh/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/10/Workshop-Siko-Setyanto-scaled.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221026T200000
DTEND;TZID=Asia/Jakarta:20221026T213000
DTSTAMP:20260405T212328
CREATED:20221005T195541Z
LAST-MODIFIED:20230116T205218Z
UID:9073-1666814400-1666819800@indonesiandancefestival.id
SUMMARY:Tale Tale
DESCRIPTION:In the process of understanding her physical journey\, Sherli is reunited with tale. Tale is an oral tradition that originated from the ancestors of Kerinci people. Since young\, she has heard pantun (Indonesian 4-verse poem) of fairy tales and prayers that were exchanged back and forth during Hajj preparations\, medical rituals\, while working in the rice fields and meadows\, when raising children\, and many other daily rituals. The rhythm and dance of the tale has entered and continues to live within her body. \nBy treating the body like an active archive\, Sherli wants to re-narrate the tale tradition that has become a part of her. Her form is now an open door\, allowing us to see and read Kerinci\, not only as an actual physical site but also as an active cultural space that forms the identity of the people living within it. \n“Tale Tale” is the third work in her Kerinci trilogy. Her previous works “Meniti Jejak Tubuh (2016)” and “Memoirs (2017)” also explore archives within the body and other spectrums of identity. The research for this work began in 2020 and was performed previously for a limited audience at ISI Padangpanjang campus. “Tale Tale” will narrate the many pantun that continue to live as archives with the future generations to come. \nChoreographer: Sherli Novalinda | Dancer: Lovia Triyuliani Ikhlas\, Yogi Afria | Composer: Indra Arifin | Cinematographer: Muhamad Panji | Mapping creator: Cindy Fadhila Sara | Artistic Director: Saaduddin | Dramaturg: Roza Muliati \nSherli NovalindaBesides being a choreographer\, Sherli Novalinda is also a dance lecturer at the Indonesian Arts Institute (ISI) Padangpanjang. As an artist-scholar)\, she has been actively creating works since 2003. She is interested in conducting research and experiment on the creation of contemporary dances\, both traditional and non-traditional\, and has various experiences of interdisciplinary collaboration with local and international artists. Read more
URL:https://indonesiandancefestival.id/en/event/tale-tale/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-5.-Tale-Tale-Sherli-Novalinda.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221026T163500
DTEND;TZID=Asia/Jakarta:20221026T171500
DTSTAMP:20260405T212328
CREATED:20221006T170742Z
LAST-MODIFIED:20230116T205057Z
UID:9139-1666802100-1666804500@indonesiandancefestival.id
SUMMARY:Dance Offering (Work in Progress)
DESCRIPTION:The creation of “Dance Offering” is inspired by the Thai traditional performance called Rum-Kea-Bon\, a semi-ritual dance often carried out as a negotiation method. Through this dance\, Kornkarn perceives the human not only as a subject who begs to a greater deity but as a being capable of exchange for getting their wishes granted. Rum-Kea-Bon itself has become part of a culture and has existed since a long time ago\, traveling far back into Thai history. It is a vernacular form\, a dance ‘of the people’\, a space of hope\, an aspiration and a form of spirituality. And judging from the many temples scattered throughout Thailand\, this dance offering has proven to be constantly evolving and adapting through social and cultural changes. \nAt the “Dance Offering” performance in Jakarta\, Kornkarn will invite the audience to make their wishes through a digital shrine. If their wishes are answered\, she will then dance as a form of reciprocal offering. This digital shrine is an imaginary space where hopes\, desires\, and beliefs reside. An imaginary negotiating space between the mundane and the divine. To manipulate the offering process\, a VR (virtual reality) headset is used in this digital temple. Each audience can also witness the visual personally through AR (Augmented Reality) experience on their own devices. Apart from being intended as a call for a utopic future that has yet to materialize\, this dance work is also a space that voices a new co-created reality that transcends physical sites and boundaries\, cultural differences\, and even socio-economic status. \nConcept & Dance: Kornkarn Rungsawang | Animation AR designer:  Piyaporn Bhongse-ton | Dramaturge: Tang Fu Kue | Production manager: Thachaporn Jirasakkee \nSupported by Pichet Klunchun Dance Company \nKornkarn RungsawangKornkarn Rungsawang is a Thai classical and contemporary dancer. Based in Bangkok\, she graduated from Burapha University with a Bachelor in Music and Performing Arts in 2010. Since then\, she has been working with Pichet Klunchun Dance Company. As a dance artist\, she aims to bridge the gap between tradition and contemporary dance. In 2017\, she participated in an art residency program in New York on an individual Fellowship Grant from the Asian Cultural Council. She also took part in the International Choreographers Residency Program at the American Dance Festival. Read more
URL:https://indonesiandancefestival.id/en/event/dance-offering/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-3.-Dance-Offering-Kornkarn-Rungsawang.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221026T153000
DTEND;TZID=Asia/Jakarta:20221026T162000
DTSTAMP:20260405T212328
CREATED:20221006T171730Z
LAST-MODIFIED:20230116T205000Z
UID:9146-1666798200-1666801200@indonesiandancefestival.id
SUMMARY:Museum II: Ridden
DESCRIPTION:Three dancers ride a rhythmic movement\, they are in a state of being ridden\, by a fragrance or a mantra\, the memories of disaster pervading it. “Museum II: Ridden” is a performance that focusing on explores the body of mutation and readiness.  \nThis Work is part of the series “The Museum” that Leu Wijee has been working on since 2018\, and in which he reflects on the potential relationships between disaster and dance. Together with Mio Ishida\, “Museum II: Ridden” invites us to look at the most ancient experience that helped to shape human civilization: bodies after disaster. \nChoreography and Scenography : Leu Wijee | Collaborator & Co-research: Mio Ishida | Dancer: Leu Wijee\, Mio Ishida\, Syanindita Prameswari | Lighting Designer: Mamedz Slasov | Artistic Crew: Unknown | Organized: WijeesWorks \nLeu WijeeLeu Wijee is an Indonesian (self-taught) artist\, dancer and choreographer who divides his time between Palu and Jakarta. He describes his approach of “between disaster and dance” as his ideation process. His artistic research and practice is based on exploring personal and collective traces. His movement language tends to be minimalistic and relentless. He experiments and uses choreography to switch on “many things” (senses\, spaces\, sounds\, etc)\,and others that resonate with his practice. Read more\nMio IshidaActor and dancer currently based in Tokyo and Chigasaki. Graduated in theater & dance at JF Oberlin University. Her recent works focus on the relationship between the human body and objects. She was selected as a Japanese performer for the "Program for Future Dancers" in Tokyo Arts Festival Farm-Lab Exhibition (2021-2022). She has performed in Indonesian Dance Festival 2022\, Jakarta; ADAM Kitchen 2023\, Taipei; and Taitung Fringe Festival 2023\, Taiwan. Read more
URL:https://indonesiandancefestival.id/en/event/museum-ii-ridden/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-4.-Museum-II-Ridden-Leu-Wijee-Indonesia-Mio-Ishida-Japan.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221026T130000
DTEND;TZID=Asia/Jakarta:20221026T150000
DTSTAMP:20260405T212328
CREATED:20221012T191831Z
LAST-MODIFIED:20230116T204717Z
UID:9390-1666789200-1666796400@indonesiandancefestival.id
SUMMARY:No. 60 Principle
DESCRIPTION:“No. 60” is not a choreographic pose or movement but it is a “principle of the dance practice” that consists of the combination of six elements. Participants will learn about the six elements and how to adapt them in order to find their own dance identities\, which will be created according to the dancers’ unique background\, experiences\, practice and personality. Thus\, every “No. 60” has its own character which reflects its creator. There will be a maximum number of participants\, 15 people. Open to dancers at any skill level. \nVenue: Teguh Karya Room\, Taman Ismail Marzuki\n \nPichet KlunchunPichet Klunchun bridges traditional Thai Classical Dance language with contemporary sensibility\, while keeping the heart and wisdom of the convention. He trained in Thai Classical Mask Dance\, Khon\, from age 16 with Master Chaiyot Khummanee. Over the past 15 years\, Pichet has earned domestic notoriety for his efforts in contemporising Khon. Read more
URL:https://indonesiandancefestival.id/en/event/prinsip-no-60/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/10/Workshop-Pichet-Klunchun-scaled.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221025T190000
DTEND;TZID=Asia/Jakarta:20221025T210000
DTSTAMP:20260405T212328
CREATED:20221005T194023Z
LAST-MODIFIED:20230116T204527Z
UID:9063-1666724400-1666731600@indonesiandancefestival.id
SUMMARY:Senam Kota Kita: Pengantar Tubuh Kuat Hidup di Ibu Kota
DESCRIPTION:Sapa suru datang Jakarta\nSapa suru datang Jakarta\nSandiri suka\, sandiri rasa\nEh doe sayang \nTidak seindah kuduga\nHidup akan merana\nTinggalkan kasur di desa\ndapatkan gubuk di kota \nSiang deng malam e mama\nJalan kasana kamari\nKawan saudara mama\nsamua tidak peduli \n“Siapa Suru Datang Jakarta” – Kembar Grup \n– \nJakarta has been the central of Indonesia for more than 100 years. As a center\, Jakarta attracts some of the best talents from all over Indonesia\, one of them being the Kembar Group\, the artists who wrote the song “Sapa Suru Datang Jakarta” (translation: Who Asks You to Come to Jakarta). However\, its dazzling attraction comes with the harsh reality of living in the big city. To improve quality of life\, one needs to be both mentally and physically strong. \n“Senam Kota Kita” is a calisthenics/dance performance specially designed for the capital citizens at IDF 2022. Gymnastik Emporium offers a different perspective\, seeing calisthenics not just as a physical sport\, but also its aesthetic sense. This performance is designed to enable the audience to be actively involved. \nInspired and influenced by the memories of the Physical Fitness Gymnastics (SKJ) – a compulsory sport for Indonesian students from 1970s to 2000s – this dance work was created after watching big groups of people doing calisthenics together. Collective exercising has actually become a place for women to socialize and self-actualize. This performance was explored at Sanggar Seni Senam Maju\, Cemeti – Institute for Art and Society between April-May 2022\, a period where Gymnastik Emporium adapted the mass calisthenics model into a presentation fit for the stage. The body\, memory\, and the city are important themes in our creation process\, aiming to provide the biggest possible space for expressing personal thoughts about the love and hate relationship with Jakarta. After participating in “Senam Kota Kita”\, we hope the audience does not only get rejuvenated\, but also fit to “fight” again in the hectic capital life. \nPerformers: Abdi Karya\, Ari Dwianto\, Irfanuddien Ghozali\, Kurnia Yaumil Fajar\, Muhammad Abe\, Vandy Rizaldy | Featuring: Fajar Riyanto as visual artist | Gymnastik Emporium will collaborate with practitioners and gymnastics activists in Jakarta to present their work at IDF 2022. \nGymnastik EmporiumThis cross-disciplinary collective of artists consistently works on projects that break down boundaries between art and other fields. Gymnastics Emporium’s works often play with performance aspects in the sports category\, for example in the bodily and spectacle details. Read more
URL:https://indonesiandancefestival.id/en/event/senam-kota-kita-pengantar-tubuh-kuat-hidup-di-ibukota/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-4.-Senam-Kota-Kita-Pengantar-Agar-Tubuh-Kuat-Hidup-di-Ibukota-Gymnastik-Emporium.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221025T160000
DTEND;TZID=Asia/Jakarta:20221025T173000
DTSTAMP:20260405T212328
CREATED:20221019T115350Z
LAST-MODIFIED:20240831T131449Z
UID:9657-1666713600-1666719000@indonesiandancefestival.id
SUMMARY:Social Choreography and Invisible Dance: The Diversity of Approach
DESCRIPTION:In collaboration with Invisible Dance\, a project by Goethe-Institut India and IndonesiaArt laboratory platforms with various visions\, approaches\, formats\, and target participants are increasingly prevalent in our contemporary art scene today. Although emphasizing the importance of the creation process\, it does not mean that this kind of platform does not pay attention to the results. It’s just that what is referred to as “results” is interpreted more subtly and fluidly in the sense that “results” are not only works of art\, but dialogue\, exchange\, and mutual support systems are also perceived as values. The art laboratory platform also enables a collective process in which organizers and participants fuse to try out ways of working\, review each other’s perspectives and comfort zones\, question art systems\, and offer transformative and meaningful prepositions of art practice for specific contexts. \nThe above notes have driven Kampana – IDF Academy and Invisible Dance\, the Goethe Institut India and Indonesia project to open a conversation about process-based art laboratory practices. In this conversation\, the speaker will exchange their experiences of the art laboratory practice before reflecting on the dynamics of the arts and social fields encountered in Indonesia\, regional and international. In addition\, this conversation will also open a space to think together about how dance can be or has become a vehicle for social change\, connecting with local communities and engaging in alternative international networks. How does this process based laboratory platform work in art discourse? How does this approach to the laboratory generate a variety of its practical methods? How does it affect the artistic and aesthetic realm? What is the political potential of this platform in the social and political economy? What positions and roles can be taken by the institutions providing the art laboratory platform\, the relation of boxes to diverse perspectives\, value setting powers\, and other interests? Which voices and perspectives are present in the collaboration\, which are not\, and why is that? How do collaboration participants take a closer look at practices from within the performing arts that have produced significant transformations in local communities and contexts and provide insight into their recent projects? To what extent do laboratory practices affect the growth of the surrounding communal and collective ecosystems? How far does laboratory practice affect infrastructure access in the social and political economy that takes place in the surrounding community? To what extent does collaborative work in laboratory practice allow for the establishment of new alliances or networks\, both locally and globally/internationally? How can the alliance move the dance beyond the realm of the familiar and explore unexpected relationships in an uncertain future? \nAbout Invisible DanceInvisible Dance is a project of the Goethe-Institut in India and Indonesia and aims at supporting the development of seven artistic projects in Indonesia and India between June to November 2022 through financial grants and dramaturgical support. \nAs a collaboration between Indonesia and India\, the project is conceived of as a laboratory to think\, study\, and glean from the movements of the body within the social and in relation to social movements at large. Mandeep Raikhy has been invited as the Dramaturg/Project Coordinator for India whereas the collective Teater Garasi acts as the artistic director team for the Indonesian side. The project is conducted in two phases- a collaborative workshop in July and a production of their performative works which culminates in a work-in-progress presentation. \nSpeakers:\nNia Agustina\nArsita Iswardhani\nMandeep Raikhy\nKatharina Kucher\nEka Wahyuni \nModerator:\nJosh Marcy \nVenue: Teater Jakarta Indoor Lobby \n30 Years of IDF – Rasa: Beyond BodiesIn 2022\, the Indonesian Dance Festival (IDF) reaches its 30th year\, a milestone representing an established foundation and maturity. For the 30th anniversary\, through the title “RASA: Beyond Bodies\,” the IDF traces the steps that have been taken and speculates what will next benefit the development of Indonesian dance. \nInformation about Festival
URL:https://indonesiandancefestival.id/en/event/koreografi-sosial-dan-tari-tak-kasat-mata-bentang-ragam-pendekatan/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Dance Talk
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2023/01/DANCE-TALK-Koreografi-Sosial-dan-Tari-Tak-Kasat-Mata-Bentang-Ragam-Pendekatan.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221025T143000
DTEND;TZID=Asia/Jakarta:20221025T160000
DTSTAMP:20260405T212328
CREATED:20221013T094051Z
LAST-MODIFIED:20240831T131856Z
UID:9472-1666708200-1666713600@indonesiandancefestival.id
SUMMARY:Pilates “System of Contrology” (Muscle Talks/Muscle Matters)
DESCRIPTION:In the body\, muscles are the main connective tissue that regulates all our activities. In this class\, participants are invited to increase muscle awareness which is crucial in carrying out the multiple functions of the body\, in both for professional dancers and daily activities. Together\, participants will practice simple Pilates principles where they will rework their connection with their muscles through breathing exercises\, stability\, and processing diverse emotions. This class can be followed by anyone\, and offers applicable movements to maintain muscles and the body holistically. \nVenue: Teguh Karya Room\, Taman Ismail Marzuki\nThis workshop is delivered in bahasa Indonesia. \nAjeng SoelaemanAjeng Soelaeman was born on March 6\, 1984 in Jakarta and grew up with an education in Ballet Advanced Royal Academy of Dance and a Bachelor of Arts majoring in Dance at the Jakarta Arts Institute (IKJ). She became the main dancer in the Jeckos Dance created by Jecko Siompo and in Hartati\, a work from the Swarnadwipa Dance Company. Read more
URL:https://indonesiandancefestival.id/en/event/pilates-sistem-kontrologi-pembicaraan-soal-otot-perihal-otot/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/10/Workshop-Ajeng-Soelaeman-scaled.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221025T123000
DTEND;TZID=Asia/Jakarta:20221025T140000
DTSTAMP:20260405T212328
CREATED:20221012T190044Z
LAST-MODIFIED:20230116T204058Z
UID:9378-1666701000-1666706400@indonesiandancefestival.id
SUMMARY:Breathing for Dancers
DESCRIPTION:This Masterclass introduces the core principles of Taiji Quan and their creative application in the performing arts. We will practice a set of physical principles relating to breathing patterns and the merging of opposing poles such as in-out\, open-close\, gather-disperse. These physical principles are then experimented as choreographic dialogues of the body-mind-unit with the time-space-whole. Such operations are at the core of “Abstract Dramaturgy”\, a continuously evolving set of structural and choreographic processes in which the word ‘abstract’ is used here as a verb – in that dancing is underscored as a live negotiation between Self and Otherness\, between Figure and Ground. Meaning\, narrative and dramaturgy are rendered as outcomes or by-products that depend on the liveness of the dance and dancer. \nVenue: Trisutji Kamal Room\, Taman Ismail Marzuki \nArco RenzArco Renz works as choreographer\, director\, dancer\, dramaturge\, curator\, lecturer. As artistic director of Brussels based dance company Kobalt Works he has during 25 years created a profuse oeuvre of choreographies in Europe and Asia\, in parallel developed a practice in dramaturgy for contemporary dance in a transcultural context. His body of work particularly cares about elaborating the intersection of research\, exchange and knowledge through performance practice. Read more
URL:https://indonesiandancefestival.id/en/event/teknik-bernapas-untuk-penari/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Workshop
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/10/Workshop-Arco-Renz-scaled.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221024T193000
DTEND;TZID=Asia/Jakarta:20221024T210000
DTSTAMP:20260405T212328
CREATED:20221005T193202Z
LAST-MODIFIED:20230116T195754Z
UID:9056-1666639800-1666645200@indonesiandancefestival.id
SUMMARY:E-PAL (GAME\, DANCE\, OR SPORT?)
DESCRIPTION:The game Gobak Sodor and Bentengan is a collective childhood memory. Not only does it recall fun memories\, this game also activates a crucial bodily process. Think of the play area as a space that regulates the intensity of your body\, entering it means activating “standby mode” and exiting means “neutral mode”. During play\, children are in “standby mode”. Their bodies are controlled by instincts that are spontaneous\, constantly moving in response to the situation and opponents\, ready to set strategies and achieve victory. In this game\, the player’s movements look like part of an unplanned choreography\, where spontaneity is the most relevant strategy for mastering space. \nMeanwhile nowadays\, the switch in function of public space and the massive use of electronic devices have impacted how children play. The tradition of children’s games\, along with all the experiences attached to them\, have changed. “E-PAL” is a choreography project that adopts the concept of the body in the children’s play arena. What if the stage is treated like a playground and the body is free to experience free choreography while also relying on strategic spontaneity to respond? “E-PAL” invites us to revisit this memory and return to playing like children. \nChoreographer : Ferry Alberto Lesar | Production Manager : Yusuf Bakrie | Musician : Tesla Manaf | Lighting Designer : Deray Setiadi | Script Writer : Novie Elisa | Discussion Friends : Smtrglr\, River Lin\, Arco | Actor : Ishvara Devati \nDancers : E-Dancer’s \nFerry Alberto LesarFerry Alberto Lesar\, a dancer and choreographer\, was born in Manado\, 13 February 1993.  As an alumni of the Department of Dance\, Jakarta Arts Institute (IKJ)\, he studied various dance genres such as break dance\, traditional\, modern\, even hip-hop which later influenced his choreography style. He has collaborated with a number of notable choreographers from Indonesia and overseas\, including Hartati\, Eko Supriyanto\, Tom Ibnur\, Yola Yulfanti\, Peter Wilson\, Kapronczai Erika\, and Arno Schuitmaker. Read more
URL:https://indonesiandancefestival.id/en/event/e-pal-game-dance-or-sport/
LOCATION:Teater Luwes\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Evening Performance
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-3.-E-PAL-Game-Dance-or-Sport-Eyi-Lesar.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221024T161500
DTEND;TZID=Asia/Jakarta:20221024T170000
DTSTAMP:20260405T212328
CREATED:20221006T165950Z
LAST-MODIFIED:20230116T194945Z
UID:9129-1666628100-1666630800@indonesiandancefestival.id
SUMMARY:Body Tarekat
DESCRIPTION:“Body Tarekat” is a solo performance that both builds on and departs from physical practices while doing “tarekat”\, specifically the Qadriyah tarekat* from Aceh. Tarekat\, in general context\, is a method or path to get closer to The Almighty by praising his name. For the choreographer\, tarekat is life\, a way to perceive life and existence itself. \nResearch and experiments for this work started in 2019 and continues to evolve to the present day. As someone who does “tarekat” frequently\, the artist wishes to redefine this practice and its relation to the attainment of The Divine Consciousness in both cultural and choreographic realities. Connectedness is one of the most important aspects in the “Body Tarekat”. This work in particular illustrates several key points of connection\, including the dancer’s interconnectedness to his body\, heart\, and mind; the connection between the dancer and the audience; and the connection between individuals – the dancer and people in the audience – with space and time. \nConcept & Choreographer: M. Safrizal (DekJall) | Dancer: M. Safrizal (DekJall) | Costum Designer: Galih Hady Soemarto \nM. Safrizal (Dekjall)The eldest of four siblings\, M. Safrizal is a choreographer born in Aceh on August 22\, 1996. He began his dance debut in junior high school and later on started his dance education at the Indonesian Cultural Arts Institute (ISBI) in Aceh. Before being known as a choreographer\, DekJall - Safrizal’s nickname - worked as a traditional musician. One of his latest works “Frekuensi Rasa”\, which talks about violence trauma and its lasting effects on the body\, was shown at the 2019 Contemporary Dance Market (PASTAKOM) in Pekanbaru\, Riau. Read more
URL:https://indonesiandancefestival.id/en/event/body-tarekat/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-2.-Body-Tarekat-Dekjail.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jakarta:20221024T153000
DTEND;TZID=Asia/Jakarta:20221024T160000
DTSTAMP:20260405T212328
CREATED:20221006T165232Z
LAST-MODIFIED:20230116T194501Z
UID:9121-1666625400-1666627200@indonesiandancefestival.id
SUMMARY:Paradox
DESCRIPTION:“Paradox” departs from the artist’s research about dream and its relation to the body. How the conscience and the unconsciousness take over the body in turn\, like two separate entities that create a whole being. A person lives in their consciousness\, but only in the unconscious\, everything that is in you – memories\, wounds\, ambitions\, unfinished things – is unearthed. Pane believes dreams act as a driving force between the two\, a pull that shakes and creates tension in the body. \nMaharani Pane plays with this paradox and offers new possibilities of disciplinary work\, using technology as a cross-media platform to break the boundaries of reality and dreams. \nConcept & Choreography: Maharani Pane | Dancer: Rheza Octavia\, Deka Saputra | Visual: Tri Oktoviano\, Afan Paper | Composer: Kelvin Djunaidi | Lighting designer: Deray Setiadi | Artistic Designer: Ferdy Ramadhan | Assistant artistic designer: Irfan Cahya Putra | Production manager: Korinta Chyntia Delfi \nMaharani PaneMaharani Pane is a dancer and choreographer from Jakarta\, Indonesia. She graduated from the Jakarta Arts Institute\, (IKJ) Faculty of Performing Arts\, majoring in Dance. Her artistic practice is oriented on combining elements from various art and media disciplines such as theater\, installation art\, and visual mapping. Read more\nFlipsideInitiated by the late Chairul Rahman\, this collective processes works of art through a media known as mapping projection. Today\, Flipside AV consists of Kukuh Gandhia Poetra\, Tri Oktoviano\, and Afanpaper. Their works take shape as performances with three elements - visual arts\, performing arts\, and film arts - within them. Read more
URL:https://indonesiandancefestival.id/en/event/paradox/
LOCATION:Taman Ismail Marzuki\, Jl. Cikini Raya No.73\, RT.8/RW.2\, Cikini\, Kec. Menteng\, Jakarta Pusat\, Daerah Khusus Ibukota Jakarta\, 10330\, Indonesia
CATEGORIES:"IDF 2022",Kampana
ATTACH;FMTTYPE=image/jpeg:https://indonesiandancefestival.id/wp-content/uploads/2022/09/FEATURED-IMAGE-1.-Paradox-Maharani-Pane-x-Flipside.jpg
ORGANIZER;CN="Indonesian Dance Festival":MAILTO:office@indonesiandancefestival.id
END:VEVENT
END:VCALENDAR